The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education — John Shaqi
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
Since objects are seen in relief by the apparent union of two
dissimilar plane pictures of them formed in each eye, it was a
supposition hardly to be overlooked, that if we could delineate two
plane pictures of a solid object, as seen dissimilarly with each
eye, and unite their images by the convergency of the optical axes,
we should see the solid of which they were the representation. The
experiment was accordingly made by more than one person, and was found
to succeed; but as few have the power, or rather the art, of thus
converging their optical axes, it became necessary to contrive an
instrument for doing this.
The first contrivances for this purpose were, as we have already
stated, made by Mr. Elliot and Mr. Wheatstone. A description of these,
and of others better fitted for the purpose, will be found in the
following chapter.
CHAPTER IV.
DESCRIPTION OF THE OCULAR, THE REFLECTING, AND THE LENTICULAR
STEREOSCOPES.
Although it is by the combination of two plane pictures of an object,
as seen by each eye, that we see the object in relief, yet the relief
is not obtained from the mere combination or superposition of the two
dissimilar pictures. The superposition is effected by turning each eye
upon the object, but the relief is given by the play of the optic axes
in uniting, in rapid succession, similar points of the two pictures,
and placing them, for the moment, at the distance from the observer of
the point to which the axes converge. If the eyes were to unite the two
images into one, and to retain their power of distinct vision, while
they lost the power of changing the position of their optic axes, no
relief would be produced.
This is equally true when we unite two dissimilar photographic pictures
by fixing the optic axes on a point nearer to or farther from the eye.
Though the pictures apparently coalesce, yet the relief is given by the
subsequent play of the optic axes varying their angles, and converging
themselves successively upon, and uniting, the similar points in each
picture that correspond to different distances from the observer.
Public-domain text, read in full here on John Shaqi.
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