The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
As very few people can use their eyes in this manner, some instrumental
auxiliary became necessary, and it appears to us strange that the
simplest method of doing this did not occur to Mr. Elliot and Mr.
Wheatstone, who first thought of giving us the help of an instrument.
By enabling the left eye to place an image of the left-hand picture
upon the right-hand picture, as seen by the naked eye, we should have
obtained a simple instrument, which might be called the _Monocular
Stereoscope_, and which we shall have occasion to describe. The same
contrivance applied also to the right eye, would make the instrument
_Binocular_. Another simple contrivance for assisting the eyes would
have been to furnish them with a minute opera-glass, or a small
astronomical telescope about an inch long, which, when held in the hand
or placed in a pyramidal box, would unite the dissimilar pictures with
the greatest facility and perfection. This form of the stereoscope will
be afterwards described under the name of the _Opera-Glass Stereoscope_.
[Illustration: FIG. 8.]
_Description of the Ocular Stereoscope._
A stereoscope upon the principle already described, in which the eyes
alone are the agent, was contrived, in 1834, by Mr. Elliot, as we
have already had occasion to state. He placed the binocular pictures,
described in Chapter I., at one end of a box, and without the aid
either of lenses or mirrors, he obtained a landscape in perfect relief.
I have examined this stereoscope, and have given, in Fig. 8, an
accurate though reduced drawing of the binocular pictures executed and
used by Mr. Elliot. I have also united the two original pictures by
the convergency of the optic axes beyond them, and have thus seen the
landscape in true relief. To delineate these binocular pictures upon
stereoscopic principles was a bold undertaking, and establishes, beyond
all controversy, Mr. Elliot’s claim to the invention of the ocular
stereoscope.
If we unite the two pictures in Fig. 8, by converging the optic axes to
a point _nearer_ the eye than the pictures, we shall see distinctly the
stereoscopic relief, the moon being in the remote distance, the cross
in the middle distance, and the stump of a tree in the foreground.
If we place the two pictures as in Fig. 9, which is the position they
had in Mr. Elliot’s box, and unite them, by looking at a point beyond
them we shall also observe the stereoscopic relief. In this position
Mr. Elliot saw the relief without any effort, and even without being
conscious that he was not viewing the pictures under ordinary vision.
This tendency of the optic axes to a distant convergency is so rare
that I have met with it only in one person.
[Illustration: FIG. 9.]
Public-domain text, read in full here on John Shaqi.
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