The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education — John Shaqi
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
As the relief produced by the union of such imperfect pictures was
sufficient only to shew the correctness of the principle, the friends
to whom Mr. Elliot shewed the instrument thought it of little interest,
and he therefore neither prosecuted the subject, nor published any
account of his contrivance.
Mr. Wheatstone suggested a similar contrivance, without either mirrors
or lenses. In order to unite the pictures by converging the optic axes
to a point between them and the eye, he proposed to place them in a
box to hide the lateral image and assist in making them unite with
the naked eyes. In order to produce the union by looking at a point
beyond the picture, he suggested the use of “a pair of tubes capable
of being inclined to each other at various angles,” the pictures being
placed on a stand in front of the tubes. These contrivances, however,
though auxiliary to the use of the naked eyes, were superseded by the
Reflecting Stereoscope, which we shall now describe.
_Description of the Reflecting Stereoscope._
This form of the stereoscope, which we owe to Mr. Wheatstone, is shewn
in Fig. 10, and is described by him in the following terms:—“AA′ are
two plane mirrors, (whether of glass or metal is not stated,) about
four inches square, inserted in frames, and so adjusted that their
backs form an angle of 90° with each other; these mirrors are fixed
by their common edge against an upright B, or, which was less easy to
represent in the drawing against the middle of a vertical board, cut
away in such a manner as to allow the eyes to be placed before the
two mirrors. C, C′ are two sliding boards, to which are attached the
upright boards D, D′, which may thus be removed to different distances
from the mirrors. In most of the experiments hereafter to be detailed
it is necessary that each upright board shall be at the same distance
from the mirror which is opposite to it. To facilitate this double
adjustment, I employ a right and a left-handed wooden screw, _r_, _l_;
the two ends of this compound screw pass through the nuts _e_, _e′_,
which are fixed to the lower parts of the upright boards D, D, so that
by turning the screw pin _p_ one way the two boards will approach,
and by turning them the other they will recede from each other, one
always preserving the same distance as the other from the middle line
_f_; E, E′ are pannels to which the pictures are fixed in such manner
that their corresponding horizontal lines shall be on the same level;
these pannels are capable of sliding backwards or forwards in grooves
on the upright boards D, D′. The apparatus having been described, it
now remains to explain the manner of using it. The observer must place
his eyes as near as possible to the mirrors, the right eye before the
right-hand mirror, and the left eye before the left-hand mirror, and
he must move the sliding pannels E, E′ to or from him till the two
reflected images coincide at the intersection of the optic axes, and
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