The Stoneground Ghost Tales: Compiled from the recollections of the Reverend Roland Batchel, Vicar of the parish.Swain, E. G. (Edmund Gill)
General
The Stoneground Ghost Tales: Compiled from the recollections of the Reverend Roland Batchel, Vicar of the parish.
Swain, E. G. (Edmund Gill)
English fiction -- 20th century; Ghost stories, English
Mr. Groves spent only his mornings, as a rule, in photography. His
afternoons he gave to pastoral work, and the work upon this enlargement
was over for the day. It required little more than "touching up,"
but it was this "touching up" which made the difference between
the enlargements of Mr. Groves and those of other men. The print,
therefore, was to be left upon the easel until the morrow, when it
was to be finished. Mrs. Rumney and he, together, gave it an admiring
inspection as she was carrying away the tray, and what they agreed in
admiring most particularly was the smooth and open stretch of lawn,
which made so excellent a foreground for the picture. "It looks," said
Mrs. Rumney, who had once been young, "as if it was waiting for someone
to come and dance on it."
Mr. Groves left his lodgings--we must now be particular about the
hours--at half-past two, with the intention of returning, as usual,
at five. "As reg'lar as a clock," Mrs. Rumney was wont to say, "and a
sight more reg'lar than some clocks I knows of."
Upon this day he was, nevertheless, somewhat late, some visit had
detained him unexpectedly, and it was a quarter-past five when he
inserted his latch-key in Mrs. Rumney's door.
Hardly had he entered, when his landlady, obviously awaiting him,
appeared in the passage: her face, usually florid, was of the colour
of parchment, and, breathing hurriedly and shortly, she pointed at the
door of Mr. Groves' room.
In some alarm at her condition, Mr. Groves hastily questioned her; all
she could say was: "The photograph! the photograph!" Mr. Groves could
only suppose that his enlargement had met with some mishap for which
Mrs. Rumney was responsible. Perhaps she had allowed it to flutter into
the fire. He turned towards his room in order to discover the worst,
but at this Mrs. Rumney laid a trembling hand upon his arm, and held
him back. "Don't go in," she said, "have your tea in the parlour."
"Nonsense," said Mr. Groves, "if that is gone we can easily do another."
"Gone," said his landlady, "I wish to Heaven it was."
The ensuing conversation shall not detain us. It will suffice to say
that after a considerable time Mr. Groves succeeded in quieting his
landlady, so much so that she consented, still trembling violently, to
enter the room with him. To speak truth, she was as much concerned for
him as for herself, and she was not by nature a timid woman.
The room, so far from disclosing to Mr. Groves any cause for
excitement, appeared wholly unchanged. In its usual place stood every
article of his stained and ill-used furniture, on the easel stood the
photograph, precisely where he had left it; and except that his tea was
not upon the table, everything was in its usual state and place.
But Mrs. Rumney again became excited and tremulous, "It's there," she
cried. "Look at the lawn."
Mr. Groves stepped quickly forward and looked at the photograph. Then
he turned as pale as Mrs. Rumney herself.
Public-domain text, read in full here on John Shaqi.
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