There was a man, a man with an indescribably horrible suffering face, rolling the lawn with a large roller. Mr. Groves retreated in amazement to where Mrs. Rumney had remained standing. "Has anyone been in here?" he asked. "Not a soul," was the reply, "I came in to make up the fire, and turned to have another look at the picture, when I saw that dead-alive face at the edge. It gave me the creeps," she said, "particularly from not having noticed it before. If that's anyone in Stoneground, I said to myself, I wonder the Vicar has him in the garden with that awful face. It took that hold of me I thought I must come and look at it again, and at five o'clock I brought your tea in. And then I saw him moved along right in front, with a roller dragging behind him, like you see." Mr. Groves was greatly puzzled. Mrs. Rumney's story, of course, was incredible, but this strange evil-faced man had appeared in the photograph somehow. That he had not been there when the print was made was quite certain. The problem soon ceased to alarm Mr. Groves; in his mind it was investing itself with a scientific interest. He began to think of suspended chemical action, and other possible avenues of investigation. At Mrs. Rumney's urgent entreaty, however, he turned the photograph upon the easel, and with only its white back presented to the room, he sat down and ordered tea to be brought in. He did not look again at the picture. The face of the man had about it something unnaturally painful: he could remember, and still see, as it were, the drawn features, and the look of the man had unaccountably distressed him. He finished his slight meal, and having lit a pipe, began to brood over the scientific possibilities of the problem. Had any other photograph upon the original film become involved in the one he had enlarged? Had the image of any other face, distorted by the enlarging lens, become a part of this picture? For the space of two hours he debated this possibility, and that, only to reject them all. His optical knowledge told him that no conceivable accident could have brought into his picture a man with a roller. No negative of his had ever contained such a man; if it had, no natural causes would suffice to leave him, as it were, hovering about the apparatus. His repugnance to the actual thing had by this time lost its freshness, and he determined to end his scientific musings with another inspection of the object. So he approached the easel and turned the photograph round again. His horror returned, and with good cause. The man with the roller had now advanced to the middle of the lawn. The face was stricken still with the same indescribable look of suffering. The man seemed to be appealing to the spectator for some kind of help. Almost, he spoke.