The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them — John Shaqi
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built ThemGelder, Jane (Trill) van
History
The Storehouses of the King; Or, the Pyramids of Egypt: What They Are and Who Built Them
Gelder, Jane (Trill) van
Pyramids
“The next piece of sculpture (which, like the former, was carved upon
the mountain of the citadel) is perfect in all its parts. It consists
of three grand compartments; the central and most interesting
represents a figure on horseback, whose dress announces a royal
personage. His head-dress is a crown, on which is placed a globe; his
hair flows in very large and massy curls over both shoulders, whilst a
slight mustachio just covers his upper lip, and gives much expression
to a countenance strongly indicative of pride and majesty.
“His body is clothed with a robe, which falls in many folds to his
girdle, and then extends itself over his thigh and legs as low as his
ancle. A quiver hangs by his side; in his right hand he holds the hand
of a figure behind him, which stands so as to cover the whole hind
quarter of his horse, and which is dressed in the Roman tunic and
helmet. A figure, habited also in the Roman costume, is on its knees
before the head of the horse, with its hands extended and with a face
betraying entreaty. Under the feet of the horse is another figure
extended, in the same attire and character as that of the other two
Roman figures.
“To the right of the tablet stands a figure with his hands also
extended, but dressed in a different manner, and, as far as we could
judge, with features more Egyptian than European. In the angle between
the King’s head and the horse’s is a Victory displaying the scroll of
fame. A figure (part of which is concealed by the one on its knees)
completes the whole of this division.
“The second grand compartment, which is on the right, is divided again
into six sub-compartments, in each of which are carved three figures,
the costumes and general physiognomies of which are all different. They
appear mostly in postures of supplication, and, I should suspect, are
representations of vanquished people.
“On the left, in the third grand compartment, are rows of horsemen,
divided by one line into two smaller compartments. They have all the
same characteristic dress and features as the royal figure in the
centre, and certainly represent his forces. The whole of this most
interesting monument is sculptured in a very hard rock, which bears the
finest polish, and which we pronounced to be a coarse species of
jasper. The figures on foot are in height five feet nine inches:
figures on horseback, from the rider’s cap to the horse’s hoofs, six
feet ten inches in length; the grand tablet eleven feet eleven inches.
Public-domain text, read in full here on John Shaqi.
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