“Having examined these, we next crossed the river to the sculptures on the opposite rock. The first is a long tablet containing a multitude of figures. The principal person (who is certainly the King represented in the former tablet) is placed in the very centre of the piece, alone in a small compartment, and is seated with a sword placed betwixt his legs, on the pommel of which rests his left hand. On his right, on the uppermost of two long slips, are many men, who seem to be a mixture of Persians and Romans, the former conducting the latter as prisoners. Under these, in the lower step, are others, who by their wigs appear to be Persians. Their leader bears a human head in both hands, and extends it towards the central figure. On the left are four small compartments. The first (nearest that figure, and the highest from the ground) incloses a crowd of men, whose arms are placed over one another’s shoulders. Below these are five figures, one of whom leads a horse without any more furniture than a bridle. “The other two compartments are filled up with eight figures each. We considered this to represent in general a King seated in his room of audience, surrounded by his own people, and by nations tributary to him. The length is eleven yards four inches. On the left of this were two colossal figures on horseback carved in alto-relievo. The one to the right had all the dress, character, and features of the King above described; the other on the left appeared also a royal personage, but differing in dress and in the furniture of his horse. Both had their hands extended, and held a ring, which we conceived to be emblematical of peace. “After having re-passed the river, we walked over the numerous mounds of stones and earth which cover the ruined buildings of Shahpúr, and which, if ever explored, would discover innumerable secrets of antiquity. We were conducted by the peasants who were with us to the remains of a very fine wall, which in the symmetry of its masonry equalled any Grecian work that I have ever seen. Each stone was four feet long, twenty-seven inches thick, and cut to the finest angles. “The wall formed the front of a square building, the area of which is fifty-five feet. At the top were placed sphinxes couchant, a circumstance which we ascertained from discovering accidentally two eyes and a mutilated foot, at the extremity of one of the upper stones. In this wall there is a window, which is arched by the formation of its upper stone. Behind this square building we traced most correctly the configuration of a theatre, thirty paces in length and fourteen in breadth. The place resembled, at least, those called theatres which I have seen in Greece. From a comparison of their positions, we were led to suppose that the building still extant must have been connected with the other behind it, and may have formed, perhaps, the entrance to it.”[55]