The Story of a Boulder; or, Gleanings from the Note-book of a Field GeologistGeikie, Archibald
Science
The Story of a Boulder; or, Gleanings from the Note-book of a Field Geologist
Geikie, Archibald
Geology; Petrology
"The starres have us to bed;
Night draws the curtain, which the sunne withdraws;
Musick and light attend our head.
All things unto our flesh are kinde
In their descent and being; to our minde
In their ascent and cause."
The idea is a very natural one, and is consequently as old as man
himself. Human vanity is soothed by the reflection that all this varied
world, with its countless beauties, has been designed and arrayed
solely for the use of man. And yet, if we but think of it, such a view
of creation, however natural and pleasing, is at the best but a narrow
and selfish one. It assuredly finds no response in nature, and grows
more and more out of fashion the further our investigations proceed.
Nature teaches us that long ere man appeared upon the earth there were
successive generations of living things just as now; that the sun
shone, and the waves rolled, and the wind blew, as they do to-day; and
that, on as lovely a planet as that whereon we dwell, there lay forests
and prairies nursing in abundance animals of long-extinct forms; lakes
and rivers, haunted by creatures that find no representatives now;
and seas teeming with life, from the minute infusory up to the most
unwieldy icthyosaur, or the most gigantic cetacean. And all this, too,
ere a reasoning, intelligent being had been numbered among terrestrial
creatures, and when, perhaps, each successive creation was witnessed
by none save those "morning stars who sang together, and those sons
of God who shouted for joy." The delight and comfort of the human
race formed, doubtless, one of the many reasons why this globe was so
bountifully garnished.[32] But the workmanship of a Being infinitely
wise, and good, and powerful, could hardly have been other than
complex and beautiful. That symmetry and grace which we see running
as a silver thread through every part of creation, forms one of the
characteristics of the Almighty's mode of working. From the Fountain
of all Beauty nothing unseemly or deformed can proceed. And so we
find, away back among the ages of the past, that, though the material
world might be less complete, it was not less beautiful than now. Nay,
those bygone millenniums stood higher in one respect, for the eye of
God rested upon their unsullied glory, and he pronounced them very
good; but these last ages of creation are dimmed and darkened, and
that Eye now watches a world trodden down by the powers of evil. There
is profound truth in the sublime allegory of Milton that represents
Sin girt round with clamorous hell-hounds, and the two grisly forms
sitting at the farthest verge of purity and light, to keep the gates of
darkness and chaos. With the introduction of moral evil into our planet
came the elements of deformity and confusion. The geologist can go back
to a time ere yet the harmony of nature had been broken. The Christian
looks forward to a day when that harmony shall be again restored, and
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account