There was a momentary silence, and the sound of the singing came in, the two voices “going” together, rising into a burst of melody in the higher notes which made Janet pause and hold her breath. Mr. Meredith had a beautiful tenor voice, and Gussy’s, though not so good, aided the effect with a somewhat tremulous second, twining out and in of the clear and liquid masculine notes. Janet let her work drop and her attempt at consolation together, and sat rapt gazing at the pair. She was too young, too energetic, too ambitious for pure sympathy. She gazed with impatient longing to be in the midst of it. “Oh! what a weak accompaniment!” she said to herself. “Why don’t they ask me to play it for them? She might sing to her heart’s content; but _why_ doesn’t she ask me to play?” Jane forgot Mrs. Harwood, whom she had been in the act of advising and consoling, and Julia, who was her special care. She could scarcely restrain herself. “It is too much for Miss Harwood to sing and play both,” she said, with a sudden impulse, dropping her work upon the floor, half rising as if to rush to the rescue. Her own movement, however, brought her to herself; for what right had she, a stranger and a hireling, to interfere? “Miss Summerhayes!” said Mrs. Harwood. As this was all that was said, Janet detached her eyes from the scene at the piano, and looked at the old lady in the chair. Mrs. Harwood was talking energetically with her eyes and gestures, though she said nothing. She indicated Julia with a glance, then looked towards the door. She put her plump hands together with a little pantomimic prayer. Janet saw and understood, and sighed. She wanted to have a hand in the music; she wanted to watch the story which was going on, which as yet she did not understand. But no. Her duty lay in another direction. It was the first time that she had felt her chains. “Julia, come, come; it is our time,” she said briskly. Miss Harwood at the piano, who had her back turned, took no notice of the little commotion of the withdrawal; but Mr. Meredith turned round, still singing, and gave Janet a look out of those eyes which she had declared to herself were too black, too bright, too ostentatiously fringed with eyelashes--a look which meant respectful regret, a tinge of remonstrance, a veiled entreaty to stay, a sort of _au revoir_ unspoken but eloquent. He could not make more than a slight inclination of his head, as he was singing, but the effect was that of the most deferential bow. Janet was taken altogether by surprise. Had he appreciated her position all in a moment, read her abilities in her eyes, longed to have her at the piano as she longed to be there? or was it a mere impulse of subjugation, the instinct of the conqueror who desired another victim? She was so startled that her heart jumped up suddenly like a bird as she left the room, and made one or two big beats in her ears. And then she laughed to herself apparently without any meaning at all. CHAPTER X.