Another subtle and deep influence was beginning to stir at this period, even in the remote wilds of Cornwall. On the Continent, in Italy especially, the human mind in the previous century had begun to awake from the torpor and lethargy of a thousand years. The thirteenth century was a glorious springtime of the human soul, when art, philosophy and the desire to know, came back to the human mind. This tide of new life and light in the fourteenth century began to throb and move, even in the remote backwaters of English life, filling the minds of the people with vague yearnings after better things, and producing a condition of deep spiritual dissatisfaction. This spirit found some expression in the great number of Oratories in the leading private houses, that were licensed, all over the Western Diocese. At this time here in Breage, we read that on 2nd Dec. 1398, John Rynsy of Godolghan, and Elinora, his wife, obtained a licence from Bishop Stafford, for Oratories both at Rynsy and Godolghan, with the stipulation that on Sundays and other Feasts they should resort to their Parish Church, whenever it was conveniently possible for them to do so. Again on 6th September 1400, John Pengersick and Joan, his wife, obtained from Bishop Stafford, a licence for a third Oratory in the Parish at their mansion of Pengersick. Whilst the gentry were making provision for regular worship in their own houses, new Parish Churches were being built in almost every parish. Practically nine-tenths of the Parish Churches in Devon and Cornwall are the product of this age. The people were seeking to express in stone the new ideal that was moving in their minds, and which was destined to find fuller and deeper expression in the Reformation. Our Churches of Breage and Germoe we owe to this wonderful quickening of religious life in the fourteenth and fifteenth centuries. The old Norman Church at Breage was pulled down in the fifteenth century as inadequate and unworthy, and the present cruciform Church, with its tower sixty-six feet in height, of beautiful workmanship and restful proportions, reared in its place. The Church outwardly to-day is very much as the fifteenth century builders left it. The tiny transepts, which, like the beautiful south porch, externally suggest small battlemented towers, were evidently originally used as side chapels. The frescos with which the whole of the interior walls were once covered, were doubtless painted shortly after the building of the Church. [Illustration: Frescos of St. Christopher and Our Lord in Breage Church.]