The Story of Anna Kingsford and Edward Maitland and of the new Gospel of InterpretationMaitland, Edward
Religion
The Story of Anna Kingsford and Edward Maitland and of the new Gospel of Interpretation
Maitland, Edward
Kingsford, Anna Bonus, 1846-1888; Mysticism
There was a link between her husband's family and mine, but we were not
personally acquainted until, in the summer of 1873, she was led by
reading one of my books[8] to open a correspondence with me, which
disclosed so striking a community between us of ideas, aims, and
methods, that I accepted an invitation to visit her at her husband's
rectory at Pontesbury, Salop, in Shropshire, for the sake of a fuller
discussion of them. This visit which lasted nearly a fortnight, took
place in February, 1874[9].
The account I received of her history was in this wise. Born at
Stratford, in Essex, on the 16th September, 1846, long after the last of
her many brothers and sisters, and endowed with the most fragile of
constitutions and liabilities the most distressing of bodily weakness
and suffering, and differing widely, moreover, in temperament from all
with whom she was associated, her young life had enjoyed but a scanty
share of human sympathy, and was largely one of solitude and meditation,
and such as to foster the highly artistic, idealistic, and mystic
tendencies with which she was born. Singularly energetic of will, and
conscious of powers both transcending in degree and differing in kind
from any that she recognised in others, she assiduously exercised her
faculties in many and various directions in the hope of discovering the
special direction in which her mission lay. For, from her earliest
childhood she had been conscious of a mission, for the accomplishment of
which she had expressly come into the earth-life. And she claimed even
to have distinct recollection of having been strongly dissuaded from
coming, on account of the terrible suffering which awaited her in the
event of her assuming a body of flesh. Indeed, so little conscious was
she of the reality of her human parentage that she was wont to look upon
herself as a suppositious child of fairy origin; and on her first visit
to the pantomime, when the fairies made their appearance on the stage,
she declared that they were her proper people, and cried and struggled
to get to them with such vehemence that it was necessary to remove her
from the theatre. Among her amusements, her chief delight was in the
ample gardens around her homes at Stratford and Blackheath, where she
would hold familiar converse with the flowers, putting into their petals
tiny notes for her lost relatives, the fairies, who in return would
visit her in her dreams and assure her of their continued affection, and
counsel her to have patience and courage.
Public-domain text, read in full here on John Shaqi.
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