The chief occupation of her girlhood was the writing of poems and tales[10] which were tinged with an exquisite mysticism, and showed a ripeness of soul and maturity of feeling and knowledge wholly unaccountable for by her years, her experiences, or her physical heredity. At school she always obtained the first prizes for composition, and her faculty of improvisation was the delight of her companions; the subjects of these her earlier romances being lovely princesses, gallant knights, castles, dragons, and the like, when--as may readily be supposed--her tall and slender frame, long golden hair, delicacy of complexion, deep-set hazel eyes, beauty of feature, the brow and the mouth being especially notable, the brightness of her looks, vivacity of her manner, her musical voice, and the easy eloquence of her diction,--all combined to make her an ideal heroine for her own romances. She could hardly, however, be said to be a _persona grata_ with her pastors and masters. For while her independence of character and strength of will were apt to bring her into conflict with rules and regulations of which she failed to recognise the need, her thirst for knowledge, especially on religious subjects, prompted her to the proposition of questions which were highly embarrassing to her teachers; and nothing that they could say succeeded in convincing her that her duty lay in believing what she was told, and not in understanding it. She very early learnt to resent the disabilities of her sex, and to insist that they were not real but artificial, the result of masculine selfishness and injustice. This hatred of injustice and its correlative cruelty, especially towards animals, attained in her the force and dignity of a passion, her sensitiveness on this score making the chief mental misery of her life. Of one gift possessed by her she early learnt to repress the manifestation. This was the faculty for seeing apparitions and divining the characters and fortunes of people. For she was a born seer. But the inability of her elders to comprehend the faculty, and their consequent ascription of it to pathological causes, were wont to lead to references to the family doctor with results so eminently disagreeable and even injurious to her, as soon to suggest the wisdom of keeping silence respecting her experiences. Her first published compositions were written at the age of thirteen[11], the editors who accepted her contributions to their magazines being under the impression that they came from a grown-up person and not from the mere child that she was. They cost her, she assured me, little labour, especially the poems, but seemed to come to her ready-made, and to flow through her spontaneously. And whatever the country in which their scene lay, the local colouring and descriptions were always faithful and vivid, as if the places and their inhabitants were familiar and even actually visible to her.