The Story of Dutch PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Dutch Painting
Caffin, Charles H. (Charles Henry)
Painting, Dutch
This monarch, tiring of the atmosphere of the Netherlands, soon withdrew
to Spain, whence for the remainder of his life he attempted to govern
the distant provinces as a satrapy, through vice-regents, military
commanders, and bishops. His aim, as became his father’s son, was
autocracy over the lives, fortunes, and consciences of his subjects.
But, to do him justice, it was their own good, as he saw it, that he
labored and intrigued for: to purge them of heresy and retain them
within the fold of the Roman communion. For nothing is to be gained in
the way of understanding the temper and conditions of that day by
regarding Philip as an inhuman monster. Judged by the manner of our own
time, he may seem to have been; but, judged by the tenacity and
unscrupulousness with which men still cling to what they believe to be
their rightful privileges and pursue what they are convinced is the
dictate of their conscience, he is seen to be but a natural product of
the mental and social conditions of his day. He was a recognizable and
for a time even tolerated part of a system that men as yet had not
thought of disturbing.
It was so, at first, that the citizens of the Netherlands, even William,
Prince of Orange, regarded him. They held his overlordship sacred, even
while they opposed the acts of his official representatives. They
expected to be roundly taxed, but at the same time to have the machinery
of their local government of free cities and Estates-General unimpeded;
and it was against the interference with this on the part of Philip’s
mercenaries that they first remonstrated. For, in the pursuance of his
policy of riveting Roman Catholicism upon the Netherlands, Philip had
induced the Pope to create more bishops and archbishops, to uphold whose
hands in the extirpating of heresy four thousand Spanish troops were
to
[Illustration: COUPLE DRINKING JAN STEEN
RIJKS MUSEUM, AMSTERDAM]
be retained in the country at the expense of the Estates. The latter and
the cities remonstrated, and the troops were withdrawn, though the
Inquisition continued its fell work. So matters drifted until 1566, a
memorable year in the story of the rise and growth of Holland.
The Flemish nobles, though Roman Catholic to a man, drew up a
“Compromise” and pledged themselves to resist the Inquisition. William
of Orange, also a Catholic, though he had married a Protestant princess,
Anna of Saxony, and would later change his profession of faith,
instituted a secret system of espionage in Madrid over the acts and
counsels of Philip. Then the League of Nobles, Orange assisting in the
wording of the document, presented a “Request” to the vice-regent,
praying that the edicts against heresy and the Inquisition might be
withdrawn and the management of affairs restored to the Estates-General.
Its presentation drew from one of the vice-regent’s counselors,
Berlaymont, the expression: “Is it possible that your Highness can be
afraid of these beggars?”
Public-domain text, read in full here on John Shaqi.
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