On the opposite wall is the Church militant and triumphant. Before
Santa Maria del Fiore, here symbolising the Church militant, sit the
two ideal guides of man, according to the dual scheme of Dante's _De
Monarchia_--the Pope and the Emperor. On either side are seated in a
descending line the great dignitaries of the Church and the Empire;
Cardinal and Abbot, King and Baron; while all around are gathered the
clergy and the laity, religious of every order, judges and nobles,
merchants and scholars, with a few ladies kneeling on the right, one
of whom is said to be Petrarch's Laura. Many of these figures are
apparently portraits, but the attempts at identification--such as that
of the Pope with Benedict XI., the Emperor with Henry VII.--are
entirely untrustworthy. The Bishop, however, standing at the head of
the clergy, is apparently Agnolo Acciaiuoli, Bishop of Florence; and
the French cavalier, in short tunic and hood, standing opposite to him
at the head of the laity (formerly called Cimabue), is said--very
questionably--to be the Duke of Athens. At the feet of the successors
of Peter and Cæsar are gathered the sheep and lambs of Christ's fold,
watched over by the black and white hounds that symbolise the
Dominicans. On the right, Dominic urges on his watchdogs against the
heretical wolves who are carrying off the lambs of the flock; Peter
Martyr hammers the unbelievers with the weapon of argument alone;
Aquinas convinces them with the light of his philosophic doctrine. But
beyond is Acrasia's Bower of Bliss, a mediaeval rendering of what
Spenser hereafter so divinely sung in the second book of the _Faerie
Queene_. Figures of vice sit enthroned; while seven damsels, Acrasia's
handmaidens, dance before them; and youth sports in the shade of the
forbidden myrtles. Then come repentance and the confessional; a
Dominican friar (not one of the great Saints, but any humble priest of
the order) absolves the penitents; St Dominic appears again, and shows
them the way to Paradise; and then, becoming as little children, they
are crowned by the Angels, and St. Peter lets them through the gate
to join the Church Triumphant. Above in the Empyrean is the Throne of
the Lord, with the Lamb and the four mystical Beasts, and the Madonna
herself standing up at the head of the Angelic Hierarchies.
In the great cloisters beyond, the Ciompi made their headquarters in
1378, under their Eight of Santa Maria Novella; and, at the request of
their leaders, the prior of the convent sent some of his preachers to
furnish them with spiritual consolation and advice.
Public-domain text, read in full here on John Shaqi.
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