Passing through the Piazza--where marble obelisks resting on tortoises
mark the goals of the chariot races held here under Cosimo I. and his
successors, on the Eve of St. John--and down the Via della Scala, we
come to the former Spezeria of the convent, still a flourishing
manufactory of perfumes, liqueurs and the like, though no longer in
the hands of the friars. In what was once its chapel, are frescoes by
Spinello Aretino and his pupils, painted at the end of the Trecento,
and representing the Passion of Christ. They are inferior to
Spinello's work at Siena and on San Miniato, but the Christ bearing
the Cross has much majesty, and, in the scene of the washing of the
feet, the nervous action of Judas as he starts up is finely conceived.
The famous Orti Oricellari, the gardens of the Rucellai, lie further
down the Via della Scala. Here in the early days of the Cinquecento
the most brilliant literary circles of Florentine society met; and
there was a sort of revival of the old Platonic Academy, which had
died out with Marsilio Ficino. Machiavelli wrote for these gatherings
his discourses on Livy and his Art of War. Although their meetings
were mainly frequented by Mediceans, some of the younger members were
ardent Republicans; and it was here that a conspiracy was hatched
against the life of the Cardinal Giulio dei Medici, for which Jacopo
da Diacceto and one of the Alamanni died upon the scaffold. In later
days these Orti belonged to Bianca Cappello. At the corner of the
adjoining palace is a little Madonna by Luca della Robbia; and further
on, in a lunette on the right of the former church of San Jacopo in
Ripoli, there is a group of Madonna and Child with St. James and St.
Dominic, probably by Andrea della Robbia. In the Via di Palazzuolo,
the little church of San Francesco dei Vanchetoni contains two small
marble busts of children, exceedingly delicately modelled, supposed to
represent the Gesù Bambino and the boy Baptist; they are ascribed to
Donatello, but recent writers attribute them to Desiderio or
Rossellino.
Public-domain text, read in full here on John Shaqi.
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