The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
The same year that her brothers left Siena, 1370, marks an epoch in
Catherine's life. "Do you not see, father," she said to Frate Tommaso
della Fonte, "that I am no longer she who I was, but that I am changed
into another?" Praying as usual in the Cappella delle Volte in San
Domenico, her Divine Spouse had appeared to her in vision, and drawn
forth her heart from her side, placing His own, _uno cuore rubicundo e
lucidissimo_, therein instead. Meditating upon the Passion, she began to
endure in her body and in her soul what Christ had endured for man. A
little later she seemed to be dying, or actually dead. In this
suspension of her life or mystical death--call it what you will--she
beheld the spiritual lives of Hell, Purgatory, and Paradise, and was
bidden to return to the world, to convince it of sin and error, to warn
it of impending peril. "The salvation of many souls demands thy return,"
said the voice of the Divine Spouse in her heart, "nor shalt thou any
longer keep that way of life that up to now thou hast kept. No longer
shalt thou have thy cell for dwelling-place; nay, thou shalt go forth
from thy own city for the utility of souls. I shall be ever with thee: I
shall guide thee, and lead thee. Thou shalt bear the honour of My name,
and shalt give spiritual teaching to small and great, to the laity no
less than to clerics and religious; for I shall give thee such speech
and wisdom that no one shall be able to resist. I shall bring thee even
before Pontiffs and before the rulers of the Church and of the Christian
people, to the end that, as is my wont, I may by means of the weak
confound the pride of the strong."[19]
Henceforth her work was done in the light of the world. Incorrigible
sinners, like that _singolare ribaldo_ Andrea di Naddino Bellanti, were
moved to repentance by her prayers; felons, dying in torments under
the
[Illustration:
_Lombardi, Siena_
ST CATHERINE OF SIENA
(ANDREA DI VANNI)]
red-hot pincers of the executioners (_attanagliati_ in the horrible
phrase of the epoch), turned their despairing blasphemies to words of
joy and comfort; fierce faction leaders, like Giacomo Tolomei, laid
aside their fury and went humbly to confession. When the pestilence
raged in Siena in 1374 and many fled the city, Catherine was foremost in
tending the stricken, in encouraging the dying, preparing them for
death, even burying them with her own hands. "Never," writes one of her
friends, "did she appear more admirable than at this time."
Public-domain text, read in full here on John Shaqi.
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