The Story of Siena and San GimignanoGardner, Edmund G.
History
The Story of Siena and San Gimignano
Gardner, Edmund G.
Art -- Italy -- Siena; San Gimignano (Italy) -- History; Siena (Italy) -- History
Gradually a little band of followers and disciples, of both sexes,
gathered round her. At first these were mainly Dominican friars, headed
by Frate Tommaso della Fonte, her confessor and a friend of her father's
family, and Frate Tommaso Nacci Caffarini, who wrote the beautiful book
known as the _Leggenda minore_; and, a little later, the famous Frate
Raimondo delle Vigne da Capua, a strenuous labourer in God's vineyard
and a man of apostolic spirit, who succeeded Frate Tommaso della Fonte
as her confessor, and wrote the famous life of her, the _Leggenda_, of
which Caffarini's book is in the main an abridgement. There were devout
women too, who robed themselves in the same black and white habit of
penance, some of them from the noblest families of Siena: Alessia
Saracini and Francesca Gori, the two whom we see with her in Bazzi's
frescoes; several of the Tolomei; and, later, Lisa, the widow of
Catherine's brother Bartolommeo. Presently there were added to these
several young men of noble birth, who acted as her secretaries and
legates, united to her by what seems a wonderful blending of religious
enthusiasm and spiritualised affection: Neri di Landoccio de'
Pagliaresi, a scholar and poet; Francesco Malavolti, a somewhat unstable
youth who at first relapsed at times into his former worldly life, and
whom she recalled to herself in one of her sweetest and most
affectionate epistles, addressing him as "carissimo e sopracarissimo
figliuolo in Cristo dolce Gesù;" Stefano Maconi, who headed a furious
feud of his family against the Tolomei and Rinaldini, until converted by
her to be the most beloved son of all her spiritual family, and
ultimately the sainted prior of the Certosa of Pavia.
One famous episode of this epoch in her life has been perpetuated in a
letter of Catherine's own, that is one of the masterpieces of Italian
literature, and in a famous fresco of Bazzi's. A young nobleman of
Perugia, Niccolò di Toldo, attached to the household of the Senator of
Siena, was sentenced to be beheaded for some rash words against the
government of the Riformatori. In his prison he abandoned himself to
desperation and despair--he was a mere youth, thus doomed to death in
the flower of his age--refused to see priest or friar, would make no
preparation for his end. Then Catherine came to him in his dungeon. Let
her own words that she wrote to Frate Raimondo tell what followed:--
Public-domain text, read in full here on John Shaqi.
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