The cosy Dramatic Lyceum, endeared to old theatre-goers on account of many pleasant memories, was reduced to ashes after the fire had destroyed the marble establishments of Jas. and Robt. Milligan and S. P. Osgood. Like Robertson's stable it was not long in the throes of dissolution, for it parted company with the earth in a few brief moments. It had been built a score of years and more, and for a long time it was the chief place of amusement in the city. Its builder was the father of theatricals in St. John, and no man ever did more for his chosen profession than he. He worked with the vigour which only an enthusiast feels, and now at the close of his long managerial career, extending over a quarter of a century, he can look back with pride and satisfaction on the work he has done. He has taught the people all they know of dramatic affairs to-day. He has educated and elevated their tastes, and by the production of the great masterpieces of Shakespeare, Jonson, Massenger, Bulwer, Goldsmith and Sheridan, he has instilled into the minds of the citizens a love of all that is admirable and beautiful in our common literature. He it was, who at great pecuniary sacrifice brought such an artist as Charles Mathews here, and it was under his management that Charles Dillon, E. L. Davenport, Frederic Robinson, Wyzeman Marshall and the famous comedian, Wm. J. Le Moyne,[L] played short engagements in our city. When the plain, but comfortable Lyceum was built, it was the first step towards a regular theatre that had been made, and in his early days Mr. Lanergan had much to contend against and many old prejudices to break down. A hundred arguments were brought to bear against his enterprise. Many good people, unskilled in the knowledge of the world, and who had never in their lives attended a theatre, were the most open in their denunciation of it and its teachings. Fathers were exhorted to keep their boys at home, and men and women were enjoined not to attend the performances in this "devil's house." But Mr. Lanergan showed his patrons that he could furnish a species of amusement harmless in its character and respectable in its quality. He selected from the wide range of plays only those which taught good lessons, and the ladies and gentlemen he secured to give utterance to the thoughts of the masters in literature, were persons of irreproachable character and conduct. He saw his efforts rewarded at length, and during the last ten years of his career his audiences comprised the _elite_ of the city. The old Lyceum was ever a pleasant place. It was cosy and easy and roomy, and one could always see an acceptable performance on its little stage. The building was sold to the Irish Friendly Society a few months ago and it was used by them for concerts, entertainments, &c. On the night of the fire it was under engagement to a minstrel party.[M]