The workmen had done their work right well, and we know at least the names of some of them; for Peter, the Roman citizen who wrought the mosaic, has left an inscription telling us that he finished the work in 1269; and among the Fabric Rolls of Westminster we can find accounts sent in by Robert de Beverley, mason; Brother Ralph, the convert; Alexander, the carpenter; and Adam Stretton, clerk of the works, "for the wages of masons serving before the shrine, carpenters, painters, plumbers, glaziers, inferior workmen, and workmen sent to divers places." The tomb of the Confessor was in the middle of the shrine, set on high "as a light to the church," and was divided into three parts: the base, in the niches of which sick people were to be laid, that the Saint might heal them; the tomb itself, of soft Purbeck marble, rich with mosaic work of coloured gems and stones, and above this a shrine of pure gold set with all manner of costly jewels, sapphires, emeralds, and rubies, whilst images in gold and silver of the Virgin and the Holy Child, John the Evangelist and Peter, stood around as guardian spirits. Much of the old magnificence has vanished; time has wrought its work, but more deadly than time have been the ravages of covetous men who longed to possess its treasure, or violent men who believed it to be little better than an idol set up in their midst. Yet it has a mellow beauty of its own, a dignity enhanced rather than lessened by the traces everywhere apparent of its former glory, and we see in it not only an exquisite piece of work, but also that shrine which, like a magnet, drew so many of England’s kings and queens to rest beneath its shadow. [Illustration: TOMBS OF EDWARD I. AND HENRY III.] *CHAPTER V* *WITH KINGS AND QUEENS IN EDWARD’S SHRINE* As you stand in the Confessor’s shrine, you will see all around you the tombs of kings and queens, and in the next chapters I am going to tell you something of those who were thought worthy to lie in a place of such high honour.