The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated MonthlyVarious
History
The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
It was the season of pantomime. The curtain had been rung down upon the
"grand phantasmagorical, allegorical, and whimsicorical" legend of "King
Pippin," and the denizens of that monarch's court--or, rather, their
faces--were resting peacefully from their labours on the wall. John
Farley, too, was presumably resting from _his_ labours, for he was
sitting upon a wooden stool, smoking vigorously, and gazing, with a
far-away glance, into the region of Nowhere. It was not a satisfied
expression, this of John Farley's--no, decidedly not. It appeared to
have a quarrel with the world, but did not seem to know precisely at
which quarter of it to commence hostilities. Truth to tell, he was a
disappointed man. He had started life, as many another, with high aims
and ambitions, and they had brought him no better fruit than
scene-painter to the Porchester Theatre, with, instead of academic
diplomas and honours, the unflattering title of "Daubs!" Do you wonder,
then, that sitting there, a man verging upon the "thirties," he looked
upon life with little love, and upon the constituents of its big
constituency with little admiration?
John had a private grievance as well as a public. He lived in a flat of
a block of houses situate in Seymour-street, about a quarter of an
hour's walk from the theatre. For some days past he had determined on
making another bid for fame and fortune by painting a grand picture. He
had commenced various designs for this "masterpiece," but none of them
had proved entirely satisfactory. And now, as though to frustrate all
his hopes, a new source of disturbance had arisen. John possessed one of
those mercurial, nervous temperaments, born principally of a morbid,
solitary life, which demanded absolute quiet for any profitable
employment of the intellect. For this reason he detested the atmosphere
of a theatre, and for this reason he yet more detested the fate that had
cast his fortunes in its midst. In the apartments where he lived, mean
as they were, he usually found tranquillity. He could at least think,
smoke, sketch, or write, as the fit took him, without disturbance. But
now, just at the time when he most desired and needed quiet, the bugbear
he fled had attacked him in his very stronghold.
Public-domain text, read in full here on John Shaqi.
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