The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated Monthly — John Shaqi
The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated MonthlyVarious
History
The Strand Magazine, Vol. 01, No. 03, March 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Sir Edwin Landseer--who painted the picture--was at the time in Scotland
giving lessons to the Queen. Whilst on his way to Balmoral he wandered
in the direction of Loch Laggan, and became perplexed as to which path
to take. Espying the Highlander, he bade him hasten to find the Queen,
and say that Sir Edwin would reach her ere long. The man needed no
second bidding, and jumped on the pony's back. He had not proceeded far
round the lake before he drew up his pony in front of a lady, who was
sketching, whilst her two children were busying themselves by handing
her the various drawing implements as required.
Respectfully removing his cap, he asked if she could tell him where he
might possibly find the Queen.
"Oh, yes," replied the lady, turning from her drawing, "I am the Queen."
This was too much for the worthy Scot. He could not associate the great
stone on which Her Majesty had been sitting with all the splendour of a
throne. All he could do was to put his hands upon his knees and
suggestively utter the single word--"_Gammon!_"
By this time Sir Edwin had arrived. He drew the picture with the
Highlander in the very act of relieving himself of an expression not
often heard in the presence of Royalty. Our drawing is a sketch of the
figures in the painting of this highly interesting scene.
[Illustration: "GAMMON!"]
_Making an Angel._
BY J. HARWOOD PANTING.
GROTESQUE--yes, that is the word for the gathering.
An ogre cannot always enjoy the regal society of a king; nor can it be
said that the features of Hodge are usually to be seen glancing, with
grinning condescension, upon a grave Prime Minister. There were other
anomalies, too numerous to mention, in the room; for this was one of the
workshops of the curious Kingdom of Make-Believe, of which, at the
present time, if we may except the aforesaid company, John Farley was
the solitary occupant.
[Illustration: "DAUBS."]
John Farley, nicknamed "Daubs," was scene-painter of the Comedy Theatre,
Porchester, and this was the room whence proceeded those marvellous
designs that stirred the gallery to enthusiastic applause, the boxes to
derisive laughter.
Public-domain text, read in full here on John Shaqi.
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