The Strand Magazine, Vol. 01, No. 05, May 1891: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 01, No. 05, May 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
So far as the photographer was concerned it was a matter of necessity
as well as choice that he came to be thus associated, for it transpired
that he had married the buxom woman, whom we now see behind the
counter, at a time when he was trying hard to make ends meet in the
winter season, when photography is at a discount. She, on the other
hand, had a thriving little business of the general nature we have
indicated, and was mourning the loss of the partner who had inaugurated
the shop, and for a time had shared with her his joys and sorrows.
The photographer had won her heart by practising his art on Hampstead
Heath the last Bank Holiday, and the happy acquaintance thus formed
had ripened into one of such mutual affection that the union was
consummated, and another department was added to the little general
business by the conversion of the yard at the back into a photographic
studio.
The placards announcing the price of coals and firewood, and the
current market rates of potatoes, were elevated to the topmost panes
of the window, and the lower half was filled with a gorgeous array of
specimen portraits in all the glory of their tinsel frames.
From that day the shop was a huge attraction, and the proprietor of
the wax-work show over the way cast glances of ill-concealed envy and
jealousy at the crowd which had deserted his frontage for the later
inducements opposite.
The incoming vessels from foreign ports brought many visitors, and
generally a few customers. To the foreign element the window was
especially fascinating. Many a face of strange mien stared in at
the window, and the photographer being somewhat of an adept with an
instantaneous camera, would often secure a "snap shot" of some curious
countenance, the owner of which could not be enticed within. These
would duly appear in the show cases, and served as decoys to others of
the same nationality.
There was the solemn-faced Turk in showy fez, and with dainty cigarette
'twixt his fingers, who surveyed the window with immutable countenance,
and was impervious to all the unction of the tout. This latter worthy
was not aware that it was against the religion of the "unspeakable
Turk" to be photographed, or he would not have wasted his energy on
such an unpromising customer.
The negro sailor was apparently struck with the presentments of the
other members of his race, but asseverated that he was "stone broke,"
and did not own a cent to pay for a photograph. He had spent such small
earnings as he had received, and was now on his way back to his vessel.
"Me no good, me no money," he told the tout, who turned away from him
in disgust.
There has so far been a good many passers-by to-day for every likely
customer, and the tout is almost in despair. "Rotters," he mutters;
"not a blessed tanner among 'em."
[Illustration: IN THE SHOW CASE.]
Public-domain text, read in full here on John Shaqi.
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