The Strand Magazine, Vol. 01, No. 05, May 1891: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 01, No. 05, May 1891: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
Ah! here's his man, though, and he is on the alert for his prey, as he
sees a dapper little figure with unmistakable Japanese features come
sauntering down the street. He is dressed in the most approved style of
the East-end tailor, who no doubt has assured him that he is a "reg'lar
masher." So evidently thinks the little Jap, as he shoots his cuffs
forward, flourishes his walking cane, and displays a set of ivory white
teeth in his guileless Celestial smile. The tout rubs his hands with a
business-like air of satisfaction as he sees the victim safely handed
over to the tender mercies of the operator within. "Safe for five bobs'
worth, that 'un," he soliloquises, winking at no one in particular, but
possibly just to relieve his feelings by the force of habit.
The next customer attracted was an Ayah, or Hindoo nurse, a type often
to be seen in the show-case of the East-end photographer. These women
find their way to England through engagements as nurses to Anglo-Indian
families coming home, and they work their way back by re-engagements to
families outward bound. Whenever a P. & O. boat arrives there will most
probably be seen one or more of these women, whose stately walk and
Oriental attire at once attract attention.
Prominent also among the natives who find their way up from the Docks
are the Malay sailors, in their picturesque white dresses. Sometimes
the photographer secures a couple for a photo, but as a rule they have
little money. "Like all the rest o' them blessed haythens," says the
tout, "not a bloomin' meg among a 'ole baker's dozen of 'em."
[Illustration: "NOW, LOOK PLEASANT!"]
The faces of such types are not, however, interesting to the
East-enders. Their interest in the window display is only heightened
when familiar faces make their appearance in the tinsel frames. There
was, for instance, positive excitement in the neighbourhood when a
highly-coloured portrait of the landlord of a well-known beer-shop in
the same street was added to the collection.
Everyone recognised the faithfulness at once, though it was
irreverently hinted that in the colouring the exact shade of the
gentleman's nose had not been faithfully copied.
One can imagine the feelings of pride with which the photographer had
posed his worthy neighbour, who had arrayed himself in all the glory of
his Sunday best suit.
"Head turned a little this way, please! Yes--now--look at
this--yes--now, look pleasant!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account