He tells us that in an old quarry at Syrene there is to be seen an obelisk upon which the workmen were busy, when for some reason they were obliged to leave it only partially cut out. From this it appears that when the quarrymen wished to abstract a huge mass, such as the Needle would be, they marked out the form by cutting a deep groove, in which, at intervals, they made oblong holes. Into these holes they firmly wedged blocks of timber, and then, filling the grooves with water, the wood in time swelled and thus the granite cracked along the outline from wedge to wedge. Next came the difficulty of taking the Needle on its first journey, seven hundred miles up the river to the City of Heliopolis. When it lay ready for removal in the quarry, rollers made of palm trees were laid so that the column could be placed on them, and by this means it could be pushed down to the edge of the river, and there a raft was built round it. When the Nile overflowed its banks, this raft and its burden floated, and the stone was conveyed to the nearest and most suitable point from which it could again be conveyed on rollers as before to the pedestal which was prepared for it to stand upon, and by the help of ropes and levers made from the date palm it was placed in position. So faultless was the work done by those men of old that, when the column was erected on the pedestal, both had been so accurately levelled, where the one fitted on the other, that the Needle when standing was perfectly true in the perpendicular. Mr. King continues to inform us that in a grotto at El-Bershch is a representation showing the removal of a gigantic figure. The statue is placed on a sledge, and men are represented going before it pouring oil in grooves, along which the sledge slides, and by means of ropes four rows of men drag the figure along. And from this we learn the method of the column's first removal. Once erected in Heliopolis before one of the many temples of the Sun, the Needle was allowed to remain there with its companion one for fourteen centuries. Twenty-three years before Christ, Augustus Cæsar ordered the removal of them from Heliopolis to Alexandria, and so the Needle came to be taken on its second journey. In Alexandria was a gorgeous palace of the Cæsars, and before the palace the columns were set up. They are called Cleopatra's Needles, but in reality Cleopatra had no connection with their history. She may have helped to design the magnificent building the front of which these obelisks adorned, and her devoted subjects wishing to give honour to the memory of their much-loved Queen gave the pillars her name.