One afternoon he found Hedwiga in a strange mood. It was midwinter, the
river asleep under blankets of the softest down, the long arms of the
large elm tree covered with the whitest fleece, and inside the hut the
cozy, stuffy warmth of a low ceiling, crackling logs in an open oven and
flames wrapped in dense smoke, rolling into the flue with a roaring
glare. Hedwiga was seated opposite the fire, her left elbow on her knee,
her chin in the open palm of her hand, her cheeks and eyes aglow,
warbling a weird song.
Albert was silent. He had had a strange dream about her the night before
and her present preoccupation reminded him of the dream. He thought he
had seen her before in precisely the same environments and in the same
pose. His imagination often played him pranks of this sort.
With eyes narrowed, he watched the light in her eyes, the contour of her
cheeks, the shadowy white of her throat and the slight movement of her
breasts. Yes, he knew the song she was humming. Zippel used to sing it
to him in his childhood.
Hedwiga’s eyes closed and her red lips trembled. Then silence; no sound
save that of the roaring fire.
“_Ich will küssen_—” he chimed in, finishing the stanza.
He paused and looked yearningly at her red lips, which were slightly
parted against the dazzling white of her teeth.
Hedwiga opened her great dark eyes, turned them upon him teasingly, and
suddenly jumped up from her low seat; and dashing across the room seized
the shining sword—the sword that had cut off a hundred heads—and
brandishing it in the air whirled around and sang again of the Great
Otilje and his shining sword, pointing the deadly weapon at his breast
every time she faced him.
“Hedwiga!”
But her wild song drowned his whispered murmurs. There was provoking
defiance in her roguish eyes, almost a trace of malevolence in her face
as she came close to him, barely touching him, and then swung away in
her mad dance with the glittering blade.
“Hedwiga!”
But she would not pause. She continued whirling around and warbling this
odd song. Once or twice he tried to seize her as she brushed past him,
but she gracefully evaded him. He finally leaped from his seat and flung
his arms around her.
“Don’t—take care!—” she cried, panting, holding the sword in front of
her.
But he clung to her recklessly and, the sword having dropped from her
hand, pressed his lips against her feverish mouth.
She turned her head this way and that to escape his kisses, gurgling
laughter in her throat, but was overpowered by his impetuosity,
gradually yielding, listlessly turning her face to his, her parted
burning lips seeking his . . .
Entwined they sat, the fire of their beings leaping into a common flame.
Soon tears overflowed her eyes—she did not know why she was crying but
in her heart was dread mingled with inexpressible joy—and presently his
tears streamed down his pale cheeks.
Public-domain text, read in full here on John Shaqi.
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