A strand of her hair loosened and touched his face. He begged for this
lock of hair. He swore he would carry it to his dying day—“Yes, to my
dying day,” he repeated again and again.
A new light appeared in her eyes, and suddenly freeing herself she cut
the golden lock with the fallen blade.
He took it from her and kissed it tenderly and murmured reverently,
“Until the last beat of my heart—.”
VI.
He left her that day with a feeling that this was all a dream, a
bewitching dream. When he returned home he flung his arms around his
sister and laughed and cried and uttered a babble of foolish words. He
muttered rhythmic verses that sprang to his lips. At last he understood
love. He had made the great discovery.
His sister shared his ecstasy without knowing the cause. She knew Albert
was sentimental. She had often seen him act madly when reciting his
songs to her. This was her secret. That her brother had other secrets
was unknown to her.
Having exhausted the exuberance of his feelings upon his sister he
rushed out of the house in quest of Christian Lutz. He felt that with
Christian he could talk more freely.
He did not tell Christian at once of Hedwiga but talked of love and
death. He was just raving as Christian had often heard him rave about
flowers and the Rhine. He recited a ballad he had composed about an
imaginary maiden with golden locks and lips as red as rubies and a face
as blessedly sweet as the lily and the roses. He knew Hedwiga’s hair was
red, and only golden when the sun rested upon it, but he would not think
of red hair—it was always golden. Besides, it did not sound so
well—“_Ihr rotes Haar_”—No, it would not do; it would not ring as well
as “_Ihr goldenes Haar_”. Besides, the only color that was really
beautiful was golden; and the ever docile, acquiescing Christian
concurred in this. A short time before, when Albert discussed a Spanish
Donna, who was to figure in his great tragedy, and had gone into
raptures about the lustre of bluish-black hair, Christian had just as
readily, and whole-heartedly, admitted that raven hair was the most
beautiful in the world.
While Albert did not at first mention the name of his beloved, he talked
so much of golden hair, of a small mouth with red curving lips, of a
slender figure and clinging garments, of features more nobly chiseled
than those of Niobe’s daughters, of a certain hut on the bank of the
Rhine—the quaintest hut in the world—of innocent children who must
suffer for their father’s sins, and of a thousand other things that
Christian could not help but recognize the identity of the goddess his
friend was worshipping; and when finally, in a moment of great secrecy,
Albert whispered her lovely name—the loveliest name in creation and the
most melodious—Christian feigned such great surprise that Albert felt
flattered at the word picture he had given of her.
Public-domain text, read in full here on John Shaqi.
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