He soon found himself before the tall image of the Christ which stood on
a high pedestal under these arches. It was carved of wood, the face
hideously distorted, the head hanging limply like a wilted sunflower,
and a smear of blood between the projecting ribs was intended as a
realistic touch. The morning sun, slanting under the vaults, fell upon
the nails driven through the palms and feet and enhanced the ghastly
figure. An unwelcome thought shot through the boy’s brain. No, no, he
could not believe it; he could not believe what Father Scher had told
the class about the Crucified. No, it could not be true. His people
could not have stabbed the man who wore the crown of thorns and driven
nails through his hand and feet. He knew his father and mother, who were
most tender-hearted, and his grandfather, Doctor Hollmann, and his Uncle
Joseph, both of whom had laid their lives down in their efforts to save
the people in the last plague.
“They are lying—they are lying,” he muttered under his breath, almost
sobbing—“all of them are lying—the priest and his books and Kunz and
Fritz. Only the likes of them could mock and spit and torment and then
put the blame upon others—”
He suddenly halted. He remembered the Hebrew school, which he attended
after the hours at the cloister.
“_Pokad—pokadto—pokadli_—” he began to mumble the conjugation of the
Hebrew verb he was then learning. Foreign as the language was to him he
learned it much more easily than “the language of the dead Romans”, or
even with greater facility than “the language of the Gods”, as he was
wont to call Greek.
The Hebrew school was in a narrow alley back of Schmallgasse. It was a
small square chamber which served as a school room by day and as a
living room for the teacher and his family at night. It had been
recently whitewashed—Passover was coming—and the Mizrach (a picture of
Jerusalem with the Wailing Wall in the foreground) hung conspicuously
upon the wall facing east—a tawny, fly-specked patch on a background of
bluish white. Save for a long rectangular table flanked by unpainted
wooden benches, and the teacher’s stool at the head of it, the room was
bare.
Although he often mimicked the long bearded teacher, there was gladness
in Albert’s heart, a gladness accompanied by a feeling of peace and
security, as he wended his way to this school. No one mocked him here,
no one imitated the ragman’s donkey-call. Here his very name gave him
added distinction. Here he was a little prince, whom everybody loved and
whose every flippant remark was carried from mouth to mouth, accompanied
by convulsive laughter.
When he entered the Hebrew school the class was chanting the Shir
H’Shirim, that exquisite lyric poem known as the Song of Songs. For it
was Friday, when the class sang the Song of Solomon in the quaint,
traditional melody of the Babylonians. The teacher, at the head of the
table, was swaying his body from side to side, leading his class in his
strangely tuneful sing-song.
Public-domain text, read in full here on John Shaqi.
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