The Sultan and His PeopleOscanyan, C. (Christopher)
History
The Sultan and His People
Oscanyan, C. (Christopher)
Turkey -- Description and travel; Turkey -- Social life and customs
There is an intoxication in the very motions of the whirling dervishes,
but the horrible ceremonies of the Rifayees are really distressing
to the beholder.
A long, empty hall, much like that of the Inquisition, as its walls are
adorned by an infinite variety of instruments of torture, constitutes
their temple of worship.
The fanatical disciples of this sect assemble every Thursday at
their Tekké, which is in Scutari, and after the performance of the
usual ritual of the Mussulmans, commence their ceremonies by ranging
themselves along the three sides of the apartment and within the
balustrade, which serves to separate them from the spectators.
Their sheikh takes his stand before the Mihrab facing the assembly,
and three or four of the members furnishing themselves with instruments
of music place themselves in the centre of the hall.
The performance then begins, by a monotonous chant, accompanied
with music, and the waving of their heads to and fro, which seems to
create a sympathetic vertigo in the Mussulman bystanders--for they
often are irresistibly drawn into the ranks.
By degrees, the motion increases, the chant grows louder, and their
countenances become livid, and their lungs seem to expand with the
noise and excitement.
The line becomes a solid phalanx as they place their arms on each
other's shoulders, and withdrawing a step, suddenly advance with a
tremendous and savage yell, Allah--Allah--Allah--hoo! which divine
appellative is to be repeated a thousand times uninterruptedly.
This strenuous effort renders them perfectly hideous, their very eyes
seem ready to start from their sockets, and their lips foam as the
inspiration possesses them. Thus retreating and springing forward,
they, each time, with increasing energy, renew their invocations of
Allah, Allah, Allah, hoo! until the distinctness of their articulation
is lost, and their exclamation becomes, in reality a complete howl,
as if proceeding from a pack of enraged dogs--thus meriting the
sobriquet of the "Howling Dervishes."
The movements and cries increase in swiftness until a mist of dust
pervades the dim apartment, and the wild and pale enthusiasts,
drenched with perspiration, seem like fantastic demons in the realms
of discord. Suddenly some of them, stripped to their waists, rush
forward and seizing the poignards and stilettoes, commence a wild,
infuriated dance, jumping, leaping, and lacerating themselves--fixing
the weapons into the hollow of their cheeks, and twisting them round
and round, as if on pivots, until, exhausted from exertion, they fall
to the ground in a spasmodic fit.
"Only to show with how small pain,
The sores of faith are cured again,"
Public-domain text, read in full here on John Shaqi.
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