The Sultan and His PeopleOscanyan, C. (Christopher)
History
The Sultan and His People
Oscanyan, C. (Christopher)
Turkey -- Description and travel; Turkey -- Social life and customs
The Sheikh, or leader of the community, sits in front of the Mihrab,
on an Angora goat-skin, or a carpet, attended by two of his disciples.
An attenuated old man, with a visage furrowed and withered by
time, bronzed by many successive suns, his long and grizzly beard
witnessing to the ravages of age, while his prominent eyes sparkling
like lightnings amid the surrounding darkness, are the only symbols
of animation or life, in his worn-out frame.
The dervishes, as they enter, make a low obeisance with folded hands
to this patron saint, with an air of mystic veneration, and take
their stand with their faces towards Mecca. The old sheikh arises,
and presiding over the assembly commences the services.
Their peculiar head-gear, called sikké, of thick brown felt, in the
shape of a sugar loaf, and long and flowing robes of varied hues,
make them seem like fantastic representations of some other sphere,
particularly, when they commence the slow and measured prostrations
of Mussulman worship.
Prayers being over, each dervish doffs his mantle, and appears in a
long white fustanella, trailing the polished floor, and of innumerable
folds, with a tightly fitting vest of the same pure color.
They now defile two by two before the sheikh, who extending his hand
towards them, seems to diffuse a sort of magnetism, which irradiates
every countenance.
As they stand immovable, the wild and thrilling music slowly pervades
every sense, until suddenly one of the number extends his arms,
and begins to revolve noiselessly, with slow and measured step. The
folds of his ample skirt now gradually open like the wings of a bird,
and with the swiftness of his motion, expand, until the dervish
only appears like the centre of a whirlwind. The rest are all alike
in motion, arms extended, eyes half closed as in a dream, the head
inclined on one side, they move round and round to the measured time
of the music, as if floating in ecstasy.
The calm and unimpassioned chief, with slow and stealthy step,
wanders among their evolutions. Suddenly they cease, and march around
the circle. The music increases its measure, and the dervishes again
commence their giddy motions; old and young seem to be in a visionary
rhapsody. Perhaps transported in the bewildering whirl to the regions
of the blest, they languish with rapture in the arms of the houris
of Paradise; or lose their earthly senses amid the glories which
surround the throne of Allah; till suddenly they stand transfixed,
their outspread and snowy drapery folding around them like the marble
investment of an antique statue.
They are all prostrated, exhausted by their ecstasies, and immovable,
until the sheikh recalls them to the realities of time by his holy
benediction, when they slowly rise again, compass the building, and
enveloping themselves with their cast-off mantles, silently disappear.
HOWLING DERVISHES.
Public-domain text, read in full here on John Shaqi.
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