The Sun Dance of the Blackfoot IndiansWissler, Clark
Religion
The Sun Dance of the Blackfoot Indians
Wissler, Clark
Siksika Indians; Sun dance
The tongues are slit open and the women are invited to slice and boil
them. When all the guests are present, one of the tongues is taken and
painted black on one edge and red on the other, and given to the woman
who made the vow. The rest of the tongues are handed to the women for
skinning and slicing; if there were more tongues than women, each was
given more than one to slice. After all the women have the tongues, the
woman with the painted tongue makes a confession, saying, "Sun, I have
been true to my husband ever since I have been with him and all my life.
Help me, for what I say is true. I will skin this tongue without cutting
a hole in it or cutting my fingers."
The next woman also makes a confession, and so on. After all have
confessed, they commence to skin the tongues. As the first woman takes
up the knife, the song runs: "A sharp thing I have taken; it is
powerful." The knife is painted, one half red, the other black. Should
any of the women cut a hole in the tongue skin or cut their fingers, it
is a sign that they must have lied and they are ordered from the tipi.
At the outset, each woman carefully examines her tongue to see if the
skin is perfect. Should a hole be found, the tongue is passed to the
director who marks it with black paint. After the tongues are all
skinned and sliced, they are passed back to the woman who distributed
them and placed in a wooden bowl. The skins of the tongues are tied in
bunches with sinew so that they can tell to which woman the skins
belong.
The skins are to be boiled by two women. Two sticks are given to one
woman and one to the other. All this time singing is going on. The woman
who has the two sticks paints them black, while the woman who has the
other, paints it red. The three sticks are tied together at one end and
are used as a tripod for hanging the kettle in which the skins of the
tongues are to be boiled. The legs of the tripod, the wooden kettle
hook, and all other sticks are painted half in red and half in black.
Also, the kettle is marked with four vertical bands of black and four of
red. The four blunt sticks for stirring the pot are painted in pairs,
red and black. A red and black painted stick is slipped through the
bail, passed around to the north of the tipi, and handed to the two
women. During all these movements there is praying and singing. The
women each take hold of one end of the stick and go for water.
They make four pauses on this journey, each time praying to the sun and
asserting their marital rectitude and recounting such occasions as they
have been improperly approached by a man. All this time, the father and
his assistants sing in the tipi. One of the women takes a cup, makes
four movements with it and dips the water. At this moment the song
runs:--
"The water that I see.
Water is sacred."
Public-domain text, read in full here on John Shaqi.
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