My reveries were interrupted by our arrival at the gates of the city.
We passed beneath a high arch almost Roman in style, with marble base
and facade ornamented with strange blue sea-shells; then, proceeding
along a winding cement walk inlaid with mother-of-pearl, we approached
the most stately palace of all. In architecture, it was totally
dissimilar to anything we had ever before observed: although perhaps
five hundred feet in length, it was as much like a great statue as
like a building; it had none of those features common in edifices for
the shelter of man and his works, but seemed to have been erected
exclusively as a piece of art. Its form was that of a woman, a woman
reclining at full length, her breast to the ground, her head slightly
elevated, propped meditatively upon her palm; and the structure as
a whole had been planned with such subtlety and skill, with such
consummate attention to every detail of the woman’s position, form and
garments and to the beatific and yet lifelike expression of the face,
that Rawson and I could only pause in bewildered silence and stare and
stare as though this work had been created through no human agency but
by some superhuman master hand.
In that first spellbound moment, it did not occur to us that there
might be an entrance to the palace. But at length, where a lock of
the woman’s dark, sculptured hair fell across her breast, we noted a
little doorway so skilfully concealed that it had originally escaped
our attention. Since the gate swung wide upon the hinges, curiosity,
of course, prompted us to glance within--and with results that proved
but a further spur to curiosity. All that we could see was a pale,
golden glitter against a background of black; but imagination supplied
that which our physical sight could not reveal, and we had visions of
gorgeous halls and corridors which we longed to inspect.
* * * * *
Had our courage been sufficient, we would have entered at once. The
idea, in fact, came to both of us simultaneously, but at first neither
of us could summon up the requisite boldness. There seemed to be
something mysteriously, almost irresistibly, attractive about that
twinkling darkness, something that held us fascinated and forbade us to
leave; and for several minutes we stood hesitating, and straining our
eyes, yet making no motion to invade the unknown.
Then, when the suspense had become so protracted as to be ridiculous,
Rawson surprised me by exclaiming, suddenly, “I’m not afraid!” And at
the same time he slapped his sides energetically as though to prove
to himself that he had no fears. “I’m going right in!” he announced,
with what I thought to be unnecessary loudness. And, feeling for
his revolver with a hand that trembled perceptibly, Rawson strode
resolutely into the building.
Public-domain text, read in full here on John Shaqi.
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