There was nothing for me to do but follow. But, somehow, I could not
help wishing that my friend had not been so rash; and, somehow, I
foresaw that we might not be able to leave this strange edifice so
easily as we had entered.
But, once within, we forgot our misgivings in contemplation of
the magnificent scene around us. I had been in luxurious galleries
before; I had seen the most ornate salons of the Old World, and the
most lavishly bedecked of mosques and cathedrals; but never had I
viewed or imagined so utterly sublime a hall. Here was a new art of
the interior decorator, an art that seemed wholly without parallel in
human experience; I was scarcely conscious that I was indoors, but
rather felt myself to be in the open, in the open at night, under
the wide and glittering heavens, with the light of innumerable stars
above me, and the dim cloudy arch of the Milky Way. How the artist had
produced his effect was more than I could say, but somehow, in his
limited space, he had given the impression of vastness and distance,
of the mystery and infinite silence of the starlight; and as I stood
there entranced, I could almost imagine that I was back again on
earth, gazing out into the night-skies as I had gazed so often from
the Vermont hills with Alma Huntley.... And yet, perfectly patterned
as they were, these skies were not the skies I had known. As I stood
there watching, I became aware that certain of the constellations were
slightly, almost indistinguishably out of position, the stars not quite
in their proper relations to one another--and why this was, I could
not attempt to say. But more striking was another alteration that had
been wrought deliberately and with subtle artistry: above the stars,
and about the thin girdle of the Milky Way, were filmy formations of
light, which--perhaps it was only my imagination--gradually resolved
themselves into tenuous human figures. One, an exquisitely graceful
woman, seemed to be playing upon some lyre-like instrument; another,
a youth with head uplifted as though in enraptured contemplation,
impressed me as the spirit of all human aspiration; and still others,
no less consummately outlined, appeared to represent the hopes and
loves and immortal yearnings of man.
Public-domain text, read in full here on John Shaqi.
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