When, in 1877, the Prince of Wales, future inheritor of the throne of England, undertook his famous voyage into India, it was absolutely necessary--says Dr. W. H. Russell, the scrupulous historian of that princely expedition--in order to make him known to the natives, to set the Prince upon an elephant, and to hold over his head the golden Sunshade, symbol of his sovereignty. There may be seen to-day in the South Kensington Museum, in the admirable Indian gallery which has just been installed, some score of the Parasols brought back by the Prince from his voyage, of which each particular type deserves a description which cannot, alas! to our sincere regret, find its place here. One may admire there the state Umbrella of Indore, in the form of a mushroom; the Sunshade of the Queen of Lucknow, in blue satin stitched with gold and covered with fine pearls; next the Parasols of gilt paper, others woven of different materials, some entirely covered with ravishing feathers of rare birds, all with long handles in gold or silver, damascened, in painted wood, in carved ivory, of a richness and an execution not to be forgotten. Let us tear ourselves away, as in duty bound, from Hindustan, to meet again with the Parasol on more classic ground in ancient Rome, in the middle of the Forum and of the games of the Circus. The Sunshade is found very frequently in the most ancient paintings, on stones and vases of Etruria, a long while even before the Roman era. According to Pliny and Valerius Maximus, it is from Campania that the Velarium comes, which is destined to defend the spectators from the sun. The use of /the private Sunshade for each person/ established itself by degrees on those days when, on account of the wind, the Velarium could not be used. Martial says in his /Epigrams/ (Book IV.): /Accipe quæ nimios vincant umbracula soles Sit licet et ventus, te tua vela tegent./ People used the Sunshade not only at theatres, but also at battles, and above all in the promenade. Ovid, in his /Fasti/, shows us Hercules protecting his well-beloved Omphale by means of a Sunshade from the sun's rays: /Aurea pellebant tepidos umbracula soles Quæ tamen Herculeæ sustinuere manus./ This image of Hercules carrying a light Parasol would surely be worthy to replace the used-up theme of the distaff?