The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
At this moment is there one of us present, however we may have
departed from the Lord, disobeyed His will, and disregarded His
word--is there one of us who would, at this moment, accept all that
man could bestow or earth could afford, to resign the hope of his
salvation? No, there is not one--not such a fool on earth were the
enemy of mankind to traverse it with the offer!
True, the theme of such devil-pact had appeared in folk-tales and
in the drama previously, notably in Marlowe's _Doctor Faustus_, but
Maturin here gives the idea a dramatic twist and psychologic poignancy
by making a human being the one to seek to buy another's soul to save
his own. A mortal, cursed with physical immortality, ceaselessly
harried across the world by the hounds of fate, forever forced by an
irresistible urge to make his impitiable offer to tormented souls, and
always meeting a tragic refusal, offers dramatic possibilities of a
high order and Maturin's story has a dreadful power.
Clara Reeve's avowed purpose in writing _The Old English Baron_ was to
produce a ghost story that should be more probable and realistic than
Walpole's. She stated that her book was the literary offspring of the
earlier romance, though Walpole disclaimed the paternity. She deplored
the violence of the supernatural machinery that tended to defeat its
own impressiveness and wished to avoid that danger in her work, though
she announced: "We can conceive and allow for the appearance of a
ghost." Her prim recipe for Romantic fiction required, "a certain
degree of the marvelous to excite the attention; enough of the manners
of real life to give an air of probability to the work; and enough of
the pathetic to engage the heart in its behalf." But her ingredients
did not mix well and the result was rather indigestible though devoured
by hungry readers of her time.
Mrs. Anne Radcliffe, that energetic manipulator of Gothic enginery,
wrote because she had time that was wasting on her hands,--which may be
an explanation for other and later literary attempts. Her journalist
husband was away till late at night, so while sitting up for him she
wrote frightful stories to keep herself from being scared. During that
waiting loneliness she doubtless experienced all those nervous terrors
that she describes as being undergone by her palpitating maidens,
whose emotional anguish is suffered in midnight wanderings through
subterranean passages and ghosted apartments. There is one report that
she went mad from over-much brooding on mormo, but that is generally
discredited.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account