The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
Frank R. Stockton[197] gives another supernatural scientific glimpse
into the future, showing as impossibilities certain things that have
since come to pass, while some of the changes prophesied as imminent
are yet unrealized and apparently far from actualities. Jack London's
_Scarlet Plague_ pictures the earth returned to barbarism, since most
of the inhabitants have been swept away by a scourge and the others
have failed to carry on the torch of civilization. H. G. Wells[198]
gives account of a tour into futurity, wherein the miracles of modern
science work revolutions in human life, and[199] he satirizes society,
showing a topsy-turvy state of affairs in A.D. 2100. His _Dream of
Armageddon_ is a story of futurity wherein a man has continuous
visions of what his experiences will be in another life far in the
future. That life becomes more real to him than his actual existence,
and he grows indifferent to events taking place around him while
rent with emotion over the griefs to come in another age. Of course,
Edward Bellamy's _Looking Backward_, with its social and mechanistic
miracles that now seem flat and tame to us, might be said to be the
father of most of these modern prophecies of scientific futurity.
Samuel Butler's _Erewhon_ contains many elements of impossibility in
relation to life, and is a satire on society, though perhaps not,
strictly speaking, supernatural. These prophecies of the time to come
are in the main intended as social satires, as symbolic analyses of
the weaknesses of present life. They evince vivid imagination and much
ingenuity in contriving the mechanisms that are to transform life, yet
they are not examples of great fiction. Mark Twain reverses the type
in his _Connecticut Yankee at King Arthur's Court_, for he shows a
man of the present taking part in the life of the far past, managing
to parody both mediævalism and the Yankee character at once. H. G.
Wells is particularly interested in studying the unused forces of the
world and fancying what would happen under other conditions. His play
of scientific speculation has produced many stories that he does not
greatly value now himself, but which are of interest as showing certain
tendencies of fiction.
[197] In _The Great Stone of Sardis_.
[198] In _A Story of Days to Come_.
[199] In _When the Sleeper Wakes_.
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