The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The "moping, melancholy screech owl" is one of the prominent personages
in _The Accusing Spirit_, emphasizing the moments of special suspense,
as in _St. Oswyth_ as the wicked baron lies quaking in remorse for
having caused a nun to be buried alive, the condemning cry of the
doleful birds increases his mental anguish. Similar instances, with
or without special nomenclature, occur in countless Gothic novels.
Much use is also made of the dark ivy in its clambering over medieval
architecture, shutting out the light and adding to the general gloom.
The effect of horror is increased frequently by the location of the
scenes in vaults and graveyards with all their gruesome accessories,
and skulls are used as mural ornaments elsewhere, or as library
appointments by persons of morbid temperament. Enough skeletons are
exhumed to furnish as large a pile of bones as may be seen in certain
antique churches in Italy and Mexico.
* * * * *
The element of mystery and mystification is another family feature of
the novel of suspense. There is no proper thrill without the suspense
attained by supernatural mystery. Even the novels that in the end
carefully explain away all the ghostly phenomena on a natural basis
strive with care to build up plots which shall contain astounding
discoveries. Mrs. Radcliffe and Regina Maria Roche are noted in this
respect. They have not the courage of their ghosts as such but, after
they have thrilled the reader to the desired extent, they tear down the
fabric of mystification that they have constructed and meticulously
explain everything.
The black veil constitutes a favorite method of suspense with Mrs.
Radcliffe. On various occasions Emily pales and quivers before a dark
velvet pall uncannily swaying in the midnight wind, and on one such
ramble she draws aside the curtain and finds a hideous corpse, putrid
and dropping to decay, lying on a couch behind the pall. Many chapters
further on she learns that this is a wax figure made to serve as
penance for an ancient sinner. Again she shivers in front of the inky
curtain, watching its fold move unaccountably, when a repulsive face
peers out at her. She shrieks and flees, thinking she has seen a ghost,
but discovers later that it is _only_ one of a company of bandits that
have taken up their secret abode in the house. Black veils are in
fashion in all of Mrs. Radcliffe's romances and she drapes them very
effectively, while the arras waves likewise in other tales as well.
Public-domain text, read in full here on John Shaqi.
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