The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The fiction of Erckmann-Chatrian appears to have suggested various
English stories. _The Owl's Ear_ obviously inspired another,[47]
both being records of supernatural acoustics the latter dealing with
spiritual sounds. _The Invisible Eye_, a fearsome story of hypnotism,
has an evident parental claim on Algernon Blackwood's story,[48] though
the latter is psychically more gruesome. _The Waters of Death_, an
account of a loathsome, enchanted crab, suggests H. G. Wells's story of
the plant vampire.[49]
[47] _The Spider's Eye_, by Lucretia P. Hale.
[48] _With Intent to Steal._
[49] _The Flowering of the Strange Orchid._
Likewise Anatole France's _Putois_, the narrative of the man who
came to have an actual existence because someone spoke of him as an
imaginary person, is associated with the drolleries of supernaturalism,
such as are used by Thomas Bailey Aldrich in the story of an imagined
person, _Miss Mehitabel's Son_, and by Frank R. Stockton.[50] Anatole
France has several delicately wrought idylls of the supernatural, as
_The Mass of Shadows_, where the ghosts of those who have sinned for
love may meet once a year to be reunited with their loved ones, and
in the church, with clasped hands, celebrate the spectral mass, or
such tender miracles as _The Juggler of Notre Dame_, where the juggler
throws his balls before the altar as an act of worship and is rewarded
by a sight of the Virgin, or _Scholasticus_, a symbolic story much
like one written years earlier by Thomas Bailey Aldrich,[51] where a
plant miraculously springs from the heart of a dead woman. _Amycus and
Celestine_, the story of the faun and the hermit, of whom he tells
us that "the hermit is a faun borne down by the years" is suggestive
of the wonderful little stories of Lord Dunsany. Lord Dunsany, while
startlingly original in most respects, seems a bit influenced by
Anatole France. His _When the Gods Slept_ seems reminiscent of _The
Isle of the Penguins_. In France's satire the gods change penguins into
men whose souls will be lost, because the priest has baptized them by
mistake, while in Dunsany's story the baboons pray to the Yogis, who
promise to make them men in return for their devotion.
And the baboons arose from worshipping, smoother about the face
and a little shorter in the arms, and went away and hid themselves
in clothing and herded with men. And men could not discern what
they were for their bodies were bodies of men though their souls
were still the souls of beasts and the worship went to the Yogis,
spirits of ill.
[50] In _The Transferred Ghost_ and _The Spectral Mortgage_.
[51] _Père Antoine's Date Palm._
Public-domain text, read in full here on John Shaqi.
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