The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
in the wife's skull in another story is a turn of the screw of her
horrid revenge. The revenge ghost in modern fiction is more varied in
forms of manifestation, at times more subtle in suggestion and ghostly
psychology, than the conventionalized type of the drama and remains one
of the most dreadful of the forms of fear.
[129] In _His Two Military Executions_.
In general, the modern stories show a greater intensity of power in
employing the motives that earlier forms had used as well as far
greater range of motivation. The earlier ghosts were limited in their
impulses, and their psychology was comparatively simple. Not so with
the apparitions of to-day. They have a far wider range of motives,
are moved by more complex impulses and mixed motivation in many cases
difficult to analyze.
The Gothic ghost had some conscience about whom he haunted. He had
too much reserve to force himself needlessly upon those that had no
connection with his past. If he knew someone that deserved punishment
for wrong done him or his, he tried to haunt him and let others alone.
The modern ghost is not so considerate. He is actuated in many cases
by sheer evil that wreaks itself upon anyone in range. Death gives
a terrible immortality and access of power to those whose lives have
been particularly evil, and the results are dangerous to society.
Dark discarnate hate manifests itself to those within reach. Algernon
Blackwood would have us believe that all around us are reservoirs of
unspeakable horror and that any moment of weakness on our part may
bring down the hosts of damnation upon us. This is illustrated in
such stories as _With Intent to Steal_, where the spirit of a man who
has hanged himself comes back with hypnotic power forcing others to
take their lives in the same way, or in another,[130] showing power
exerted viciously against human beings in a certain building, or still
another[131] where the witchcraft holds the village in thrall, and
elsewhere. Ambrose Bierce, Bram Stoker, F. Marion Crawford, and Arthur
Machen have written a number of stories bringing out this side of
ghostly psychology, showing the bands of outlawed spirits that prey on
society. There are spectral bandits and bravos that answer the call of
any force hostile to man, or act of their own accord from an impulse of
malicious mischief.
[130] _The Empty House._
[131] _Secret Worship._
Public-domain text, read in full here on John Shaqi.
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