The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
through a sudden and wonderful realization of the beauty of the world
to which the materialistic friend has heretofore been blinded and
indifferent. Feeling this sudden rapturous sweep of beauty through his
soul, the living man knows that his artist friend is dead and that
his spirit has become a part of his own being. In the same manner the
little lonely soul in Granville Barker's wonderful piece of symbolism,
_Souls on Fifth_, enters into the being of the man who has the
understanding heart and continues her existence as a part of him.
[141] In _The Second Wife_.
An essentially modern type of ghost story is that which has its
explanation on the basis of subliminal memories. It seems that all
around us are reservoirs of ancestral memories, records of the vital
thoughts and actions of the long dead, psychical incarnations of
their supreme moments, their striking hours, into which the living
at times stumble and are submerged. Some slight spiritual accident
may bring down upon mortals the poignant suffering and bliss of the
dead in whose personality they are curiously duplicated. These ghosts
of dead selves from the past are different from the doubles that are
projections of the living, or prophetic specters of the future, and
are clearly distinguished. _The Borderland_, by Francis Parsons,
tells of a young army officer who is obsessed by subliminal self,
the ghost of his grandfather. He feels that he _is_ his grandfather,
living another existence, yet he lacks the pluck, the manhood, that
the old pioneer possessed. At a crisis in his military affairs, the
old frontiersman comes visibly forward to give him the courage that is
needed, after which he manifests himself no more. The scene of this
subliminal haunting is a Texas prairie, during a border fight, rather
an unghostly setting yet one which makes the supernatural seem more
actual. Arthur Johnson[142] presents the case of a man who sees the
ghosts of ancestral memory in a vivid form. He sees and hears his own
double wildly accuse his wife--who is the double of his own--betrothed,
after having killed her lover. His hand is wounded and the fingers
leave bloodstains as they snatch at the gray chiffon round his wife's
throat. After a fit of unconsciousness into which he falls is over, the
modern man awakes to find his hand strangely wounded, and on the floor
of the upper room he picks up a scrap of bloodstained gray chiffon!
Blackwood's _Old Clothes_ shows a little girl obsessed by subliminal
memories. She is haunted by terrible experiences in which she says that
she and some of those around her have been concerned. She goes into
convulsions if anything is fastened around her waist, and she cries
out that some cruel man has shut her up in the wall to die and has cut
off Philip's hands so that he cannot save her. Investigations bring
to light the facts that a long-dead ancestress, living in the same
house, had been walled up alive by her husband after he had cut off her
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account