French fiction -- Translations into English; Short stories, French -- Translations into English
"'In my deepest misery I shall never forgive her the look of silent
anguish wherewith she stabs me. I shall never forgive her resignation,
the quiet submission which, together with her interest in her duties,
makes our tormented life bearable to her. She is not unaware, you may be
sure, that I have a hundred times thought of seeking oblivion in death.
She was no more taken in than you were by the accident on Dunley Hill.
She will never betray it by a word. She offers herself as a sacrifice,
and this magnanimity which fills me with despair constantly aggravates
the intolerable anguish of our daily association. I no longer love the
woman who loves me; I still love the one who loves me no longer. I have
committed no sin, I am even blameless. Will you deny that if I had given
myself cause for remorse I might also have suffered less, might have
even had chances of happiness?'"
With a far-away look in her eyes, the narrator ended her story abruptly.
"And what did you answer?" I questioned.
"I answered that pain wears itself out no less than joy, that it is our
nature to regret the things that might have been, because they are so
different from reality. I answered that patience to live is the greatest
among the virtues."
XXV
GIAMBOLO
I, too, have known the joys of travel! I, too, have left the easy slopes
of home for the steep ascents of foreign lands! Like many another
simpleton, sated with the familiar, I have enthusiastically crossed
frontiers in search of that something or other which might give me
unexpected sensations.
After being tossed and jolted and bruised in the hard sleeping cars, I
have fallen into the hands of porters, or "_traegers_" or "_facchini_,"
who bewildered me with their violent pantomime accompanied by
anti-French sounds, obliged me to follow them by going off with my wraps
and bags, and after an extortionate charge flung me on to the
sympathetically dejected cushions of the hotel omnibus, amid strange
companions. Next, a hideous rattling of iron and window glass, while a
gold-laced individual asks me simultaneously in three different
languages to account for my presence here, and say how I mean to spend
my time, telling me in the same breath the great advantage there would
be in doing something quite different from what I intend to do.
Presently the torture changes. A gigantic porter in an imperial great
coat transfers me to silent automata in black broadcloth and white tie,
who hand people and luggage from one to the next as far as the elevator.
Nothing more remains but to answer the chambermaid's investigations as
to my habits and tastes, my theory of existence, while by an error of
the hall boy my luggage is scattered in neighbouring rooms, and I am
burdened with someone else's. All is finally straightened out. Alone, at
last!
Public-domain text, read in full here on John Shaqi.
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