French fiction -- Translations into English; Short stories, French -- Translations into English
One man stands above and one below the trestle. The thin notched blade,
working its way forward with a soft swish muffled by the sawdust, rises
and falls with the rhythmic motion of the bodies alternately bending
down and straightening up. From a distance you see two men in front of
each other, one facing earthward, the other skyward, and perpetually
bowing as if in mutual greeting. When the entire existence of a human
being has for its sole activity an incessant bowing, not even to the
tree about to die, but to its corpse, into which he is driving the iron
a little further with each courteous gesture, there results a monotony
of sensation, of thought (if the two words may be used in this
connection,) progressively benumbing the spirit, or reducing it to the
minimum of cogitation compatible with a continuance of life. The inert
intelligence becomes atrophied. What is the mentality of the slave
harnessed to the millstone? Not greatly superior to that of the beast of
burden substituted for him. Six Cents, slaughtering his trees, took from
them only vegetative life. His victims unconsciously revenged themselves
by bringing him down through the continuity of enforced labour to the
lowest rank of conscious life.
One must not suppose that Six Cents was stupid. His countenance, with
its regular features, was frank and open. His eyes, which though lacking
in fire were gentle and appeared to dwell on something far away,
reminded one of those of certain dogs, "very intelligent," but incapable
of any effort beyond primitive comprehension. He was not a mere animal,
but simply an undeveloped man. He did not know how to read, nor had he
ever stopped to wonder what might be contained in a book. To saw to-day,
to saw to-morrow: a narrow cycle of dull thoughts brought him
continually back to his starting point. The wide gray velvet trousers
from the pocket of which protruded the points of a pair of compasses
distinguished him from tillers of the soil. The stamp of science and
art was upon him, but so rudimentary, that the appropriate mechanical
gesture was the Ultima Thule of his attainment. The smooth-shaven face,
framed in long gray locks, under a cloth cap in the fashion of Louis XI,
inspired respect by its placid gravity. His slow, heavy step could be
heard on the road as he went silently to his work, whereas the plowmen,
exchanging greetings as they passed one another, urged on their beasts
with shouts, held them back with oaths, or brightened the day with love
songs. Presently, they would be turning over their furrows, still
shouting, still swearing, and still singing, followed by the feathered
host, to whom the plowshare furnishes inexhaustible feasts. During this,
Six Cents, at the foot of the trestle, gazing upward open mouthed,
without sound, his attention centred upon not departing from the
straight line, would stretch to full height with arms extended, then
stoop to the ground as if to touch it, bend over only to lift himself,
Public-domain text, read in full here on John Shaqi.
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