The Sword of Deborah: First-hand impressions of the British Women's Army in FranceJesse, F. Tennyson (Fryniwyd Tennyson)
History
The Sword of Deborah: First-hand impressions of the British Women's Army in France
Jesse, F. Tennyson (Fryniwyd Tennyson)
World War, 1914-1918 -- Women
The first time my companion told me we were coming on German prisoners,
I shut my eyes, determined to open them unprejudiced, with a vision
clear of all preconceptions; really, at the bottom of my heart,
expecting that I should find them extraordinarily like anyone else....
But they were not. They were all so like each other, that by the time
you had seen several hundreds you were still wondering confusedly
whether they were all relations ... even my Western eye detected more
difference between the types of Chinamen I met upon the road than in
these Teutons. Of course, the round brimless cap has something to do
with it, as has the close hair-crop, but when all is said, how much of a
type they are, how amazingly so, as though they had all been bred to one
purpose through generations! The outstanding ear, placed very low on the
wide neck, the great development of cheekbones and of the jaw on a level
with the ears, and then the sudden narrowing at the short chin ... and
the florid bulkiness of them. A detachment of _poilus_ swung past in
their horizon blue, and what a different type was flashed up against
that background of square jowls, what a thin, nervous, wiry type, all
animation....
The Germans were so exactly like all the photographs of prisoners one
has seen in the daily papers that it was quite satisfying; I remember
the same feeling of satisfaction when on first going to New England I
saw a frame house and an old man with a goatee beard driving a
spider-wheeled buggy, exactly like an illustration out of _Harper's_....
All of which--with the exception of the old man out of _Harper's_--is
not as irrelevant as it may appear, in fact, is not irrelevant at all,
for it is these things, this landscape, these varied races, this whole
atmosphere, which goes to make life's background for everyone quartered
hereabouts, and it is the background which, especially to memory in
after years, makes so great a part of the whole.
Public-domain text, read in full here on John Shaqi.
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