The Sword of Deborah: First-hand impressions of the British Women's Army in FranceJesse, F. Tennyson (Fryniwyd Tennyson)
History
The Sword of Deborah: First-hand impressions of the British Women's Army in France
Jesse, F. Tennyson (Fryniwyd Tennyson)
World War, 1914-1918 -- Women
And as both the Fannies and the Waacs go in khaki, and both the V.A.D.'s
and the G.S.V.A.D.'s in dark blue, it will be seen that confusion is
very easy to the uninitiate. That is my only excuse for perpetrating the
worst blunder that has probably ever been committed in France. Taken to
tea at a Fanny convoy I committed the unspeakable sin of asking whether
they were Waacs....
They were very kind to me about it, but when I eventually grasped the
system, I saw it was as though I had asked a Brass Hat whether he
belonged to the Salvation Army. Yet when I told the sad tale of my
_gaffe_ to the members of a V.A.D. convoy, they only seemed to think it
must have been quite good for the Fannies ... but somehow it wasn't
equally good for them when I timidly asked whether they were
G.S.V.A.D.'s ... though they were also very kind to me about it.
The D. of T. motored me over to the Fannies' convoy, on a pale day of
difficult sunlight. Is there anywhere in the world, I wondered, more
depressing--more morbid--landscape, than that round Calais? It weighs on
the soul as a fog upon the senses, and it seemed to me that only people
of such a tenacious gaiety as the French or such an independence from
environment as the British could survive there for long. I have seen
country far flatter that was yet more wholesome, and I loathe flat
country. There is something in the perpetual repetition of form in the
country round Calais, the endless sameness of its differences, that is
peculiarly oppressive. Pearly skies blotted with paler clouds, endless
rows of bare poplars, like the skeletons of dead flames, yellowish roads
unwinding for ever, acres of unbroken and sickly green, of new-turned
earth of an equally sad brown ... and over all the trail of war, whose
footprint is desolation. The occupation even of an army of defence means
camp after camp; tin huts, wooden huts, zinc roofs; hospitals; barbed
wire; mud. And, amidst all this, and the sudden reminders of more active
warfare in houses crumpled to a scatter of rubble by a bomb, there are
people working, year in, year out, undismayed by the sordid litter of
it....
The saving of it all to the newcomer, though even that must pall on
anyone too accustomed, is that, like Pater's Monna Lisa, upon this part
of France "the ends of the world are come" ... (and who shall wonder if
in consequence "her eyelids are a little weary"?). Inscrutable Chinamen,
silent as shadows, flashing their sudden smiles, even more mysterious
than their immobility, turned from their labour to watch the passing of
the car; Kaffirs from South Africa, each with a white man's vote,
voluntarily enlisted for the Empire, swung along; vividly dark
Portuguese, clad in grey, came down to their rest camps; Belgians
trotted past with their little tassels bobbing from their jaunty caps.
And, in great droves along the roads, or, sometimes, more solitary in
the fields, the German prisoners stood at gaze, their English escort
shepherding.
Public-domain text, read in full here on John Shaqi.
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