The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
50. But the body of Christ received by such persons, doth not defend
them nor those who fly to it: partly because the privilege is granted
to a church as a church: and therefore not to be misbestowed on other
things: partly because that food is the support of the soul, and not
of the body: whence it freeth the soul and not the body.
51. Churches are moved from one place to another on three accounts.
First, on account of the necessity arising from persecutors: secondly,
on account of the difficulty of access or habitation, such as the
unwholesomeness of air: thirdly, when they are oppressed with the
society of evil men: and then with the consent of the Pope or the
bishop. Wherefore he that entereth into a church fortifieth himself
with the sign of the cross, shall be said in the proeme of the fifth
book.' [Footnote 194]
[Footnote 194: See Appendix.]
{33}
CHAPTER II
OF THE ALTAR
The First Builders of Altars--The Difference between Altare and
Ara--Various Significations of Various Kinds of Altars--The Ark of the
Testimony--It is preserved in the Lateran Church--What a Man needeth
that he may be the Temple of God--What the Table Signifieth--Of the
Candlestick--Of the Ark--Of the Altar--Of the Altar Cloths--Of Steps
to the Altar.
I. The altar hath a place in the church on three accounts, as shall be
said in speaking of its dedication. We are to know that Noe
[Footnote 195] first, then Isaac [Footnote 196] and Abraham [Footnote
197] and Jacob made, as we read, altars: which is only to be
understood of stones set upright, on which they offered and slew the
victims and burnt them with fire laid beneath them. Also Moses made an
altar [Footnote 198] of shittim wood: and the same was made as an
altar of incense, and covered with pure gold: as we read in the xxvth
chapter of Exodus, where also the form of the altar is described. From
these of the ancient fathers, the altars of the moderns have their
origin, being erected with four horns at the corners. Of which some
are of one stone, and some are put together of many.
[Footnote 195: Gen. viii, 20.]
[Footnote 196: Gen. xxvi, 25. xxxiii, 20.]
[Footnote 197: Gen. xiii, 18.]
[Footnote 198: Exodus xxvii, i.]
2. And sometimes the words altare and ara are used in the same sense.
Yet is there a difference. For _altare_, derived from _alta res_, or
_alta ara_, is that on which {34} the priests burnt incense. But
_ara_, which is derived from _area_, or from _ardeo_, is that on which
sacrifices were burnt. [Footnote 199]
[Footnote 199: The true ecclesiastical distinction between _altare_
and _ara_ is that the former means the altar of the true God, and is
therefore alone used in the Vulgate, answering to the Greek [Greek
text], as opposed to ara ([Greek text]), an altar with an image
above it. See _Mede_. Folio 386. ]
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