The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
19. It is to be noted that the Saviour is always represented as
crowned, as if he said, 'Come forth, children of Jerusalem, and behold
King Solomon in the diadem with which his mother crowned him.'
[Footnote 286] But Christ was triply crowned. First by His Mother on
the day of His conception, with crown of pity: which was a double
crown: on account of what He had by nature, and what was given Him:
therefore also it is called a diadem, which is a double crown.
Secondly, by His step-mother in the day of His Passion, with the crown
of misery. Thirdly, by His Father in the day of His Resurrection, with
the crown of glory: whence it is written, 'O Lord, {54} Thou hast
crowned Him with glory and honour.' [Footnote 287] Lastly, He shall be
crowned by His whole family, in the last day of Revelation, with the
crown of power. For He shall come with the judges of the earth to
judge the world in righteousness. So also all saints are portrayed as
crowned, as if they said: Ye children of Jerusalem, behold the martyrs
with the golden crowns wherewith the Lord hath crowned them. And in
the book of Wisdom: 'The just shall receive a kingdom of glory, and a
beautiful diadem from the hand of their God.' [Footnote 288]
[Footnote 286: Canticles iii, 11.]
[Footnote 287: Psalm viii (_Domine Dominus_), 5.]
[Footnote 288: Wisdom v, 16.]
20. But their crown is made in the fashion of a round shield: because
the saints enjoy the divine protection. Whence they sing with joy:
'Lord, Thou hast crowned us with the shield of Thy favour.' [Footnote
289] But the crown of Christ is represented under the figure of a
cross: [Footnote 290] and is thereby distinguished from that of the
saints: because by the banner of His cross He gained for Himself the
glorification of His humanity, and for us freedom from our captivity,
and the enjoyment of everlasting life. But when any living [Footnote
291]prelate or saint is portrayed, the glory is not fashioned in the
shape of a shield, but four-square: that he may be shown to flourish
in the four cardinal virtues: as it is contained in [Footnote 292]
the legend of blessed Gregory.
[Footnote 289: Psalm v (_Verba mea_), 12.]
[Footnote 290: See Appendix I.]
[Footnote 291: This does not appear to have prevailed in England.
The nearest contemporary effigy of a saint which we have observed in
stained glass, is that of S. Thomas, of Hereford, in the church of
Cothelstone, Somersetshire. Here the glory is, as usual, of the
circular form. As also in the fresco of the martyrdom of S. Thomas
of Canterbury, in Preston church. Sussex, which is nearly
contemporary. (See Appendix 1.)]
[Footnote 292: This refers to the account given by Paulus Diaconus
of the visible effulgence which surrounded the head of this great
doctor when he was dictating his works.]
{55}
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account