The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
Hic jacet egregius doctor proesul Mimatensis,
Nomine Duranti Guillelmus regula morum:
Splendor honestatis et casti candor amoris
Altum consiliis spatiosum mente serenum
Hunc insignibat immotum turbine mentis.
Mente pius, sermone gravis, gressuque modestus,
Extitit infestus super hostes more leonis:
Indomitos domuit populos, ferroque rebelles,
Impulit, Ecclesiae victor servire coëgit.
Comprobat officiis, paruit Romania sceptro
Belligeri comitis Martini tempore quarti:
Edidit in Jure librum, quo jus reperitur:
Et Speculum Juris, et patrum Pontificale:
Et Rationale Divinorum patefecit:
Instruxit clerum scriptis, monuitque statutis:
Gregorii deni, Nicolai scita perenni
Glossa diffudit populis, sensusque profundos:
Jure dedit mentes et corpus luce studentum:
Quem memori laude genuit Provincia dignum:
Et dedit a Podio Missone diaecesis ilium:
Inde Biterrensis, praesignis curia Papae:
Dum foret ecclesiae Mimatensis sede quietus,
Hunc vocat octavus Bonifacius; altius ilium
Promovet; hic renuit Ravennae praesul haberi.
Fit comes invictus simul hinc et marchio tandem,
Et Romam rediit: Domini sub mille trecentis
(Quatuor amotis) annis: tumulante Minerva.
Surripit hunc festiva dies, & prima Novembris.
Guadia cum Sanctis tenet Omnibus inde sacerdos:
Pro quo perpetuo datur haec celebrare capella.
The _Rationale_ was the first work, from the pen of an uninspired
writer, ever printed. The _editio princeps_ appeared at the press of
Fust in 1459; being preceded only by the Psalters of 1457 and 1459. It
is, of course, of the most extreme rarity: the beauty of the
typography has seldom been exceeded. Chalmers mentions, besides this,
thirteen editions in the fifteenth, and thirteen in the sixteenth
century: all of them are very rare.
{xi}
The editions with which we are acquainted, are those of Rome 1473;
Lyons 1503, 1512, 1534, 1584; Antwerp 1570; Venice 1599, 1609. The
translation has been made from the editions of 1473 and 1599. The
former is a magnificent specimen of typography: the words are
excessively contracted; and there are double columns to each page. Our
copy is partially illuminated; and the binding is ornamented with a
border of the Evangelistic Symbols. The latter contains also the first
edition of the work of Beleth, and is a reprint of Doard's Lyons
edition of 1565. Doard dedicated it to his brother, Bishop of
Marseilles; and prefixed a Preface, in which he bestows a well-merited
eulogium on Durandus, and mentions the care taken in correcting and
revising the work. He also added some notes, of little worth. The
Venice reprint is so vicious a specimen of typography, that from it
alone the sense could in many places hardly be explained. Our copy
belonged to Bishop White Kennett, who appears to have studied it
diligently.
Public-domain text, read in full here on John Shaqi.
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