The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum — John Shaqi
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
The circular form given to the church of the Holy Sepulchre was of
course appropriate enough in that particular case, where the sepulchre
would naturally become the centre. The circular churches of Europe
were again imitated from this. The Cross form would appear to have
made its first appearance in Constantinople: that is, in the city
which was the first to take a completely Christian character. {lxviii}
For example, the church of the Apostles built by Constantine was
cruciform: and the symbolism of this is pointed out by S. Gregory
Nazianzen in his poem, 'the Dream of Anastasia,' quoted by Bingham.
[Footnote 33] So Evagrius describes the church of S. Simon Stylites,
as cited by Buscemi, [Footnote 34] who also mentions a Cross church
founded by King Childebert, about the year 550. The cathedral of
Clermont, mentioned by S. Gregory of Tours, and the church of SS.
Nazarius and Celsus at Ravenna, both founded about 450, were
cruciform. More than this, we have examples of an oblong church being
_intentionally_ made cruciform by the addition of _apsides_, as at
Blachernoe by Justin Junior, instanced by Bingham out of Cedrenus and
Zonaras. This has been remarked also in the case of some Italian
churches: though the early churches of the West seemed to have
retained the oblong form, even when the details and general
arrangement were Byzantine, as in the _Capella Regia_ at Messina; the
more remarkable from the peculiar influence of Constantinople in the
island of Sicily. But in either case there was a symbolising intention
on the part of the founders of churches.
[Footnote 33: Carm. ix, tom ii, p. 79. [Greek text]]
[Footnote 34: Notizie etc. Note al Lib. 1, capo terzo. Nota 10 p. 15.]
There is mention also of octagonal churches, as at Antioch and
Nazianzum: but these seem to have been mere exceptions; and perhaps
from being coupled with fonts in the inscription quoted by Mr. Poole
from Gruter, may have been intended to symbolise Regeneration. The
first two lines are as follows:--
Octachorum sanctos templum surrexit in usus:
Octagonus fons est munere dignus eo.
{lxix}
Bingham mentions that the oblong form was sometimes called [Greek
text] which he explains as intimating that they had void spaces for
deambulation. [Footnote 35] It seems however more likely that the
name was derived from the resemblance between this form of church and
a stadium; the apsidal end answering to the curve round the goal.
[Footnote 35: Book viii, 3, following Leo Allatius and Suicer.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account