The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum — John Shaqi
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum OfficiorumDurand, Guillaume
Religion
The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum
Durand, Guillaume
Christian art and symbolism; Church architecture
In the comparison between the material temple and the 'living temple'
the Spiritual Church, there are several points worthy of observation.
The symbolical explanation of the corner stone as our Lord, of the
foundation as the Apostles and Prophets, of the stones as the members
of the Church, are of course taken directly from Holy Scripture. It is
scarcely necessary to remark the great authority for considering the
fabric of the church as symbolical which these passages convey. Many
of our readers will remember how S. Hermas carries out into
considerable detail the same idea. But the Panegyrist in Eusebius
distinctly refers to 'the most {lxxi} inward recesses [of that
spiritual temple] which are unseen of the many, and are essentially
holy and holy of holies'; [Footnote 38] that is, of course, to a
Sanctuary; which he goes on to describe as having 'sacred inclosures,'
and as being accessible to the priest alone; with a distinct reference
to S. Paul's [Footnote 39] illustration taken from the Jewish
Temple. Again he proceeds to compare the Bishop Paulinus with the
'great High Priest,' not only in being permitted to enter the holy of
holies, but in doing what Christ has done, just as the Son did what He
saw the Father do. 'Thus he, looking with the pure eyes of his mind
unto the Great Teacher, whatsoever he seeth Him doing, as if making
use of archetypal patterns, has, by building ([Greek text]) as much
like them as possible, wrought out images of them as closely as can
be; having in no respect fallen short of Bezaleel, whom God Himself,
having filled him with the Spirit of wisdom and knowledge and other
skilful and scientific lore, called to be the builder of the material
expression of the heavenly types in the symbols of the temple. In this
way then Paulinus also, carrying wholly like a graven image in his
soul Christ Himself, the Word, the Wisdom the Light . . . has
constructed this magnificial temple of the most High God, resembling
in its nature the pattern of the better (temple) as a visible (emblem)
of that which is invisible.' [Footnote 40]
[Footnote 38: Euseb. H. E., x, 4, 21.]
[Footnote 39: Hebrews, ix, 6, 7.]
[Footnote 40: Euseb. X, iv, 24, 25.]
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