No fear of that (rejoined Niceratus). Always take a bite of onion before speeding forth to battle, just as your patrons of the cock-pit give their birds a feed of garlic (17) before they put them for the fight. But for ourselves our thoughts are less intent perhaps on dealing blows than blowing kisses. (18) (17) Cf. Aristoph. "Knights," 494: Chorus. And here's the garlic. Swallow it down! Sausage Seller.... What for? Chorus. It will prime you up and make you fight the better. H. Frere. (18) "We are concerned less with the lists of battle than of love"; "we meditate no furious close of battle but of lips." Lit. "how we shall kiss some one rather than do battle with." After such sort the theme of their discourse reached its conclusion. Then Critobulus spoke: It is now my turn, I think, to state to you the grounds on which I pride myself on beauty. (19) (19) See "Hellenica Essays," p. 353. A chorus of voices rejoined: Say on. Crit. To begin with, if I am not beautiful, as methinks I be, you will bring on your own heads the penalty of perjury; for, without waiting to have the oath administered, you are always taking the gods to witness that you find me beautiful. And I must needs believe you, for are you not all honourable men? (20) If I then be so beautiful and affect you, even as I also am affected by him whose fair face here attracts me, (21) I swear by all the company of heaven I would not choose the great king's empire in exchange for what I am--the beauty of the world, the paragon of animals. (22) And at this instant I feast my eyes on Cleinias (23) gladlier than on all other sights which men deem fair. Joyfully will I welcome blindness to all else, if but these eyes may still behold him and him only. With sleep and night I am sore vexed, which rob me of his sight; but to daylight and the sun I owe eternal thanks, for they restore him to me, my heart's joy, Cleinias. (24) (20) Or, "beautiful and good." (21) Or, "whose fair face draws me." Was Cleinias there as a "muta persona"? Hardly, in spite of {nun}. It is the image of him which is present to the mind's eye. (22) Lit. "being beautiful"; but there is a touch of bombast infused into the speech by the artist. Cf. the speech of Callias ("Hell." VI. iii. 3) and, for the humour, "Cyrop." passim. (23) See Cobet, "Pros. Xen." p. 59. Cf. "Mem." I. iii. 8. (24) Or, "for that they reveal his splendour to me."