Such was the origin of mythology: it may be said to be the daughter of natural philosophy, embellished by poetry; only destined to describe nature and its parts. If antiquity is consulted, it will be perceived without much trouble, that these famous sages, those legislators, those priests, those conquerors, who were the instructors of infant nations, themselves adored active nature, or the great whole considered relatively to its different operations or qualities; that this was what they caused the ignorant savages whom they had gathered together to adore. It was the great whole they deified; it was its various parts which they made their inferior gods; it was from the necessity of her laws they made fate. The Greeks called it Nature, a divinity who had a thousand names. Varro says, "I believe that God is the soul of the universe, and that the universe is God." Cicero says "that in the mysteries of Samothracia, of Lemnos, of Eleusis, it was nature much more than the gods, they explained to the initiated." Pliny says, "we must believe that the world, or that which is contained under the vast extent of the heavens, is the Divinity; even eternal, infinite, without beginning or end." It was these different modes of considering nature that gave birth to Polytheism, to idolatry. Allegory masqued its mode of action: it was at length parts of this great whole, that idolatry represented by statues and symbols. To complete the proofs of what has been said; to shew distinctly that it was the great whole, the universe, the nature of things, which was the real object of the worship of Pagan antiquity, hardly any thing can be more decisive than the beginning of the hymn of Orpheus addressed to the god Pan.